Redefining Early Recordings as Sources for Performance Practice and History
Project website
ViewOverview
Redefining Early Recordings as Sources for Performance Practice and History was an AHRC-funded research network led by PI Dr Eva Moreda Rodríguez (University of Glasgow) and CoI Dr Inja Stanović (University of Surrey) and Dr Karin Martensen (Technische Universität Berlin, international partner). It brought together researchers, performers, curators, technicians and collectors from all over the world who use early recordings (roughly defined as pre-Second World War) as sources for the study of music history and music performance. The network ran from March 2021 to March 2023.
Team
Principle investigator
Dr Eva Moreda Rodríguez
University of Glasgow
See profileCo-investigator
Dr Inja Stanovic
Surrey Future Senior Fellow, Director of Performance, Early Recordings Association Director
Biography
Dr Inja Stanović is a Croatian pianist and a published author. Inja is a Senior Researcher at the University of Surrey, where she directs the Early Recordings Association, ERA. Her recent publications include co-edited volume Early Sound Recordings: Academic Research and Practice (Routledge, 2023), and a free-source research album Austro-German Revivals: (Re)constructing Acoustic Recordings (University of Huddersfield Press, 2022).
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Symposia reports
Library of talks
We have compiled a library of research lectures, papers and snapshots (short papers) on early recordings given at our AHRC-funded symposia, as well as at the three conferences we organized (2019-2021) prior to the inception of our research network.
Phonograph Sessions
- Jeroen Billiet records the act 2 finale of ‘Madama Butterfly’ on phonograph
- Staruch-Smolec and Potocznik record ‘Dear Old Pal on Mine’ on phonograph
- Staruch-Smolec, ter Haar, Stanovic and Peres da Costa record Brahms’s Hungarian Dance no. 1
- Emily Worthington records Weber’s concertino on phonograph
- Krzysztof Potocznik records Chopin’s mazurka op. 24 no. 2 on phonograph
- George Kennaway records Thome’s “Simple confession” on phonograph
- Fatima Volkoviskii records Clavelitos and La Paloma
- Hilary Metzger, Ana-Maria Rincon and Neal Peres da Costa record Lucantoni’s Ave Maria
- Hilary Metzger and Ana-Maria Rincon record Handel’s “Figlio d’alte speranze”
- Ana-Maria Rincon and Neal Peres da Costa record Haydn’s Mermaid song
- Krzysztof Potocznik records Chopin’s mazurka op. 24 no. 2 on phonograph
- Daniele Palma records Tosti and opera arias
- Eva Moreda Rodríguez records Gounod’s Ave Maria
- David Milsom and Joanna Staruch-Smolec record Spohr’s duo
- Eva Moreda Rodríguez records two zarzuela romanzas
- David Milsom records Beethoven’s Minuet in G major, WoO 10, no. 2
- George Kennaway records Thome’s “Simple confession” on phonograph
- Job ter Haar and Inja Stanovic record Wagner’s Morgenstern
- Job ter Haar and Inja Stanovic record Massenet’s Élegie
- Barbara Gentili records Tosti
- Jeroen Billiet and Inja Stanovic record Gounod’s Mélodie no. 1 for the French horn
- Kate Bennett Wadsworth records Gounod’s Ave Maria
David Milsom, violin. L. van Beethoven: Minuet in G Major, WoO 10 No. 2
David Milsom records Minuet in G Major on phonograph - Early recordings symposium