- English Literature
BA (Hons) — 2025 entry English Literature
A modern course which balances traditional texts with modules on Writing Gaming, Queer Ecologies, Monsters, Mystics, and Demons, and The Gothic Imagination.
Why choose
this course?
- Teaching from published researchers, writers, and poets, our Distinguished Writer in Residence and Poet in Residence
- 24/7 library opening hours in term time, and access to podcast and publishing rooms
- Excellent pastoral care with small class sizes, Sector-leading staff-student ratio and an individualised approach
- Focus on employability, preparing students for careers in journalism, publishing, marketing, media, communications, education, and copywriting
- Our award-winning Professional Training Placements prepare students for roles in industry.
Statistics
6th in the UK
For English in Guardian University Guide 2025
Top 10 in the UK
English literature is ranked 9th for overall student satisfaction* in the National Student Survey 2024
12th in the UK
Surrey is ranked 12th in the Complete University Guide 2025
*Measured by % positivity across all questions for all providers listed in the Guardian University Guide league tables.
What you will study
On our BA (Hons) English Literature course, you’ll study vital and influential works of literature, reading and discussing contemporary works as well as classics in a wide range of genres and from around the world.
Our course will introduce you to thought-provoking critical and theoretical approaches to literature. You’ll discover a range of perspectives, such as postcolonialism, psychoanalysis, and gender studies, that will enhance your understanding of literary works in relation to important societal challenges.
You will study classic works like those of Shakespeare and George Eliot, as well as writing by contemporary authors including Kazuo Ishiguro, Chimamanda Ngozi Adichie and Jhumpa Lahiri.
Genres you’ll study include travel writing, 19th-century theatre and fiction, science-fiction, contemporary global literatures, medieval literature, romantic literature, early modern and modernist literatures.
You can tailor your course with a number of specialist optional modules on specific periods and themes, from the early modern to the contemporary, and from children’s literature to American fiction.
Unusually for an English literature course, we also offer you the opportunity to take a Professional Training placement, enabling you to apply your skills in an industry-relevant context, such as marketing, publishing, social media and communications roles.
Events and workshops
Alongside your lectures, tutorials, seminars and workshops, you'll have a wide range of opportunities to engage with our vibrant research culture and arts activities.
Literary events on and around campus include the annual Morag Morris Poetry Lecture, the Surrey Poetry Festival and the Surrey New Writers Festival.
Literature and Languages also regularly host talks by major writers and critics, as well as literary agents, publishers and other speakers of interest.
Our current Distinguished Writer in Residence is the acclaimed writer, Neel Mukherjee, and our new Poet in Residence for 2023-24 is Briony Hughes. Both offer regular writing workshops and, in the case of our Distinguished Writer in Residence, one-on-one writing surgery sessions.
The academic year is divided into two semesters of 15 weeks each. Each semester consists of a period of teaching, revision/directed learning and assessment.
The structure of our programmes follow clear educational aims that are tailored to each programme. These are all outlined in the programme specifications which include further details such as the learning outcomes.
Please note: The full module listing for the optional Professional Training placement part of your course is available in the relevant programme specification.
Modules
Modules listed are indicative, reflecting the information available at the time of publication. Modules are subject to teaching availability, student demand and/or class size caps.
The University operates a credit framework for all taught programmes based on a 15-credit tariff.
Course options
Year 1 - BA (Hons)
Semester 1
Compulsory
This module introduces students to key theoretical debates and critical methodologies relating to literature and literary studies. It extends the student's knowledge of the different approaches we can take to literary studies, the various questions we can ask of literature, and the diverse forms of knowledge and insight that the study of literature can yield. Simultaneously, it allows students to identify the approaches and concerns in which they have been previously (and often unwittingly) been trained and those which most interest them going forward; it then helps them develop and enhance their understanding and application of their preferred methodologies. The module is in this way both complementary and foundational to all the other modules students will take in both their first year and in subsequent years: it gives them a vital tool-kit they will deploy on all modules. Topics and methodologies to be explored include questions of form and the close reading of literary texts; the political and ideological implications of literary texts; the interrelationships between texts, genres and culture more generally; the relationship between texts and their various historical contexts; and the evolution of the academic discipline of English Literature from the early 20th to the early 21st century. Students are trained not only to understand some of the most influential literary theories and methodologies, but also to appraise, compare and critique these different approaches. They will also undertake their own theoretically-informed critical analyses of literary texts, thereby also developing their ability to apply different methodologies and theoretical approaches. The module's themes and focus are then extended by the semester 2 companion module ELI1011 Theories of Reading II, which continues the survey of key literary theories. Both these modules form a foundation for levels 5 and 6 where the theoretical knowledge and application skills will be further reinforced.
View full module detailsThis module introduces students to different periods in literary history from the medieval period to the late Eighteenth Century through the examination of a variety of texts. Students will study texts in English from the medieval period, the Early Modern period, the Restoration, and the neo-Classical period. Throughout the module students will learn to interpret literature by focusing on aspects of its historical including social, environmental, global and cultural context, and to consider the interplay between historical background and texts. How does historical change and how do specific historical events impact on the production and reception of literature? What distinguishes imaginative literature from other textual historical documents? Students will also be encouraged to reflect on the academic practice of dividing history into key 'moments': the 'politics' of periodization, in other words. At what point does one period end and another begin? Why have literary critics chosen to mark the parameters of certain literary-historical periods as they have? While the focus is on English literature, the module will remain sensitive to the interplay between English literary traditions and those in other countries and the increasingly multicultural dimension of English literary history. Lectures will introduce students to key features of the literary period in question, to theoretical concepts which have proved useful in historicist approaches to literary criticism, and provide readings of set literary texts from a historical perspective. Seminars will enable students to discuss issues raised in the lectures and secondary reading as well as their own interpretations of the set texts in ways that will develop their critical thinking, research, and communication skills. By enabling students to gain the critical skills and knowledge required to study literature historically this module will provide a foundation for their further study of historical literary periods in semester 2 of their first year and for their study of literature in their second and final years.
View full module detailsThis module is designed to introduce students to the academic study of the novel. Over the course of the module students will learn to read narrative fiction closely and critically, and to consider the relations between prose texts and the political, cultural, and intellectual contexts in which they are written and read. Focusing on novels in English from a range of historical periods and national contexts, the module examines fundamental aspects of the novel such as formal structure, characterisation, narrative, and voice, and important novelistic genres such as realism and the Gothic. It also considers the novel form’s representation of key issues such as subjectivity, gender, race, and politics. By enabling students to acquire the knowledge and critical skills needed to study and analyse novels, this module will provide a foundation for the study of prose fiction at degree level. This module connects to other period specific modules throughout the degree at levels 5 and 6. As a hybrid creative writing and English literature module, it also makes up part of the creative writing pathway in the degree, connecting to creative writing modules in the first, second and final years
View full module detailsThis module is designed to introduce the academic study of drama and film. By studying three modern British plays and their adaptations to the screen you will develop an understanding of how drama and film are distinguished from other printed forms of literature alongside an appreciation of their cultural significance. Students on the module will be encouraged to think about the relationship between texts and their immediate historical and political contexts. You will be trained in the use of technical terms for drama and films, and will be introduced to the visual and audio analysis appropriate to both forms. Students will have the opportunity to develop creative as well as critical responses to the films and plays studied.
View full module detailsSemester 2
Compulsory
This module introduces students to global literatures across geocultural spaces and historical periods through the study and critical analysis of a range of texts written in multiple languages and from both Western and non-Western perspectives. This module is part of a global strand embedded in our programme, which will help students develop global sensitivity and appreciation for cultural and linguistic diversity. The central question that will guide our discussions is how literary texts engage with the idea of the world. You will work collaboratively to develop critical and analytical skills that will enable you to appreciate: (1) how literary texts foster historical awareness and sensitivity to global issues affecting contemporary societies; (2) how literature is deeply shaped by cultural, political, and social forces; (3) how texts actively create narrative worlds that respond to specific symbolic and cultural needs. Building upon the theoretical foundations acquired during the first year, students will reflect on the value and challenges of studying literature today from a global, multilingual and comparative perspective.
View full module detailsThe module builds on ELI1033, continuing to give students the necessary methodologies for undertaking close reading of literary texts and a self-aware understanding of their own subject positions in doing so. It provides wide coverage of different forms of literary theory and sets this alongside discussions of how to carry out critical analyses on literary texts. The module acts as a basis for levels 5 and 6, where the theoretical knowledge and application skills will be reinforced. Together with a rigorous study of a wide range of theoretical traditions, students will also analyse, through collaborative exercises and seminar discussions, short texts and cultural phenomena. In this way, they will develop the critical skills necessary to appreciate how theoretical texts can provide us with powerful tools to discuss important social questions that affect contemporary societies.
View full module detailsThis module introduces students to the main periods in literary history from Romanticism to Postmodernism by examining a variety of texts from these periods. Students will study texts in English from the Romantic and Victorian periods and from modernism and postmodernism. Throughout the module students will learn to interpret literature by focusing on aspects of its historical (including social, cultural, environmental, and global) context, and to consider the interplay between historical background and texts. How does historical change and how do specific historical events impact on the production and reception of literature? What distinguishes imaginative literature from other textual historical documents? Students will also be encouraged to reflect on the academic practice of dividing history into key 'moments': the 'politics' of periodization, in other words. At what point does one period end and another begin? Why have literary critics chosen to mark the parameters of certain literary-historical periods as they have? While the focus is on English literature, the module will explore the increasingly multicultural dimension of English literary history in the modern period. Lectures will introduce students to key features of the literary period in question, to theoretical concepts which have proved useful in historicist approaches to literary criticism, and provide readings of set literary texts from a historical perspective. Seminars will enable students to discuss issues raised in the lectures and secondary reading and develop their own interpretations of the set texts. This module enables students to build upon and expand the critical skills and knowledge acquired in semester 1 modules by enhancing students' capabilities in these areas and encouraging a deeper study of literature historically, this module will also provide a foundation for the study of literature across a range of time periods in levels 5 and 6. In particular, the module connects to other period specific modules throughout the degree especially at level 5.
View full module detailsThis module is designed to give students the confidence to read, study, and enjoy poetry. Over the course of the module students will learn to read and think critically and creatively about poems in English from a range of genres, historical periods and sub/cultures, about the formal elements of verse (such as rhyme, lineation, stanza structure, and metre), and about the social, political,global and intellectual contexts that shape poetic writing. The module will introduce and examine the technical features of poetry as a form, and offer an in-depth consideration of some of the most important poetic genres: epic, lyric, dramatic, and free verse. In the final week of the module, a lecture given by one of Surrey University’s professional poets will introduce students to the most recent trends in contemporary poetry. By enabling students to acquire the knowledge and critical skills needed to appreciate and analyse poems, this module will provide a foundation for the study of poetry at degree level. Peer-led discussion of debates around poetry, and workshopping and portfolio-building in seminars, fosters resilience and confidence (in analytical and/or creative writing; sharing ideas and written work in class) whilst developing transferable writing, communication and presentation skills suitable for a range of careers. This module connects to other first year modules in both the English literature and creative writing streams to ground students in the basics of their discipline, setting the scene for more in depth knowledge and practice development in modules throughout the degree. As a hybrid creative writing and English literature module, it also makes up part of the creative writing pathway in the degree, connecting to creative writing modules in the first, second and final years.
View full module detailsYear 2 - BA (Hons)
Semester 1
Compulsory
By focusing on a wide range of postcolonial fictions, this module explores what it means to write in a postcolonial context and allows students to reflect on the legacies of colonialism today. Student will discuss how colonialism and postcoloniality affect both content and fictional form, and will be encouraged to use the solid theoretical foundations built during the first year in the programme to critically analyse postcolonial fictions and cultures. The skills in interpretive analysis and research they will acquire in this module will be fundamental in preparing them for the dissertation project at the conclusion of their learning journey. Students will be able to explore a wide range of artistic forms¿prose, poetry, drama, and film and will develop crucial skills in critical analysis, connective thinking, and digital competency during our seminar discussions and in online activities. This module is part of a global strand embedded in our programme. In addressing prominent global issues such as colonialism, migration, diaspora, racial, gender, and class inequalities this module offers students tools to understand how and why literature can be a powerful instrument of critique and analysis of a persistently unequal world. The module further provides a theoretical underpinning that will enable students to draw connections between contemporary fictions and postcolonial and decolonial theories.
View full module detailsOptional
Building on the introduction to modernism covered in the first-year core modules, this module explores a period in literature that was to bring innovation across the spectrum of cultural endeavour. Through a range of exciting and innovative works of literature from around the world, you will be introduced to the key ideas underlying the theories and practises of modernist writers in the period between 1900 and 1945. By exploring the concept of multiple global modernisms, the module builds global and cultural skills that will enable you to critically engage with the key themes central to modernist thought. As well as acquiring in-depth knowledge of the individual texts on the module, you will be able to develop a sense of how movements in modernist literature relate both to each other and to other disciplines such as philosophy, economics, politics, and art. Through the independent research undertaken for assessment and a particular focus on the skills required for advanced secondary source research, this module will also develop resourcefulness and digital skills.
View full module detailsThis module explores the varied formal and technical challenges facing creative writers, examining the affordances and constraints of different modes of writing and the cultural, historical and theoretical contexts which impact upon how texts (including prose fiction, poetry, screenplays and dramatic scripts) are written and understood, and to translate this understanding into more effective creative practice.
View full module detailsThis module explores a range of literary texts produced in England at the end of the Middle Ages, paying particular attention to issues of language, gender, race, social status, travel, and religion. It explores the relationship between the self and the other, focusing on ideas of perfection and monstrosity, and the divine and the demonic. The module explores three interrelated themes that speak to the historical, social, and religious contexts of late Medieval English literature: 1) Monstrous Masculinities and Femininities 2) Travellers’ Tales: Encountering the Other and 3) Visions of Another Order. Alongside analysing examples the literature of the period, you will practice translating passages from late medieval literary texts in the workshops. In addition to the set primary texts, you will examine relevant examples from historical texts and visual that help to further illuminate these three thematic strands.
View full module detailsThis is a module for Level 5 students in the School of Literature and Languages. It is taught over one semester, with three contact hours per teaching week.The module considers a range of approaches to teaching English as a Foreign Language, approaches which can be applied to the teaching of other languages. It provides practice and assessment in lesson planning and in teaching through peer teaching tasks. The skills developed on the module such as speaking in front of groups and decision making are transferable to a number of other careers. The module is capped at 14 students in each semester.
View full module detailsThis module gives students a broad and deep understanding of nineteenth-century literature in relation to a range of social, cultural and political contexts. Following a roughly chronological trajectory the module picks up key issues (industrialisation, the impacts of empire, faith and doubt) and examines them through key texts and authors of the period. The module pushes students to think in nuanced ways about the relationship between text and context and about the cultural forces which have promoted or marginalised historical voices.
View full module detailsThis is a practical introduction to translation from French to English. Students will be introduced to some basic concepts and terminology in translation and will learn through translating short texts from French to English and writing reflective commentaries on translation issues. Students will gain an understanding of the processes involved in translating from French to English and will develop their ability to analyse and interpret texts and to recognise and resolve translation issues, using appropriate translation resources. Texts will be contemporary and will cover a range of text types, chosen to illustrate a wide variety of translation problems as well as to introduce aspects of Francophone cultures.
View full module detailsThis is a practical introduction to translation from German to English. Students will be introduced to some basic concepts and terminology in translation and will learn through translating short texts from German to English and writing reflective commentaries on translation issues. Students will gain an understanding of the processes involved in translating from German to English and will develop their ability to analyse and interpret texts and to recognise and resolve translation issues, using appropriate translation resources. Texts will be contemporary and will cover a range of text types, chosen to illustrate a wide variety of translation problems as well as to introduce aspects of German-speaking cultures.
View full module detailsThis is a practical introduction to translation from Spanish to English. Students will be introduced to some basic concepts and terminology in translation and will learn through translating short texts from Spanish to English and writing reflective commentaries on translation issues. Students will gain an understanding of the processes involved in translating from Spanish to English and will develop their ability to analyse and interpret texts and to recognise and resolve translation issues, using appropriate translation resources. Texts will be contemporary and will cover a range of text types, chosen to illustrate a wide variety of translation problems as well as to introduce aspects of Spanish-speaking cultures.
View full module detailsThis module explores elements of poetic craft, discourse, and techniques for writing poetry through the close analysis of lyric, narrative, dramatic, and hybrid modes in contemporary poetry written for the page and / or performance and exhibition. The module introduces students to contemporary and innovative discussions including topics such as formal and free poetic structures, sound effect and rhythm, poetic voice and persona, writing communities, poetic intent and play. The module asks students to engage with the development of their own writing alongside of reading and listening to contemporary poetry, essays, and manifestos by chosen 'companion poets' they will encounter in the module.
View full module detailsThis interdisciplinary module, focused on Victorian creative partnerships, explores connections between texts, individuals, couples, circles and movements. It investigates the ways in which female and male figures worked in various forms of partnership: as spouses, siblings, friends and lovers. It examines a range of Victorian texts including poems, short stories, plays, novels and novellas, letters and diaries as well as visual texts. It engages with the themes of gender, sexuality, identity, power, partnership, co/authorship and readership. The module introduces students to contextual debates about sexual politics, gender and representation in the nineteenth-century, and seeks to understand how writers responded and contributed to them. It also reads nineteenth-century figures and texts in relation to more recent feminist and gender theory, revealing their continued cultural importance. Authors studied include: tthe Brownings, the Brontës, George Eliot and George Henry Lewes, Arthur Hugh Clough and Matthew Arnold, Charles Dickens and Wilkie Collins, the Rossettis, and Michael Field.
View full module detailsThis innovative, interdisciplinary and university-wide module explores multiple aspects of popular culture in the contemporary world. The module considers how and why some works acquire the status of popular culture and how these works permeate everyday life. Through an overview of contemporary issues and approaches to popular culture in social, literary, filmic, musical and sociological contexts, you will consider the values inherent in some cultural works, and how these transform to reflect societal preoccupations. You will examine case studies from Dickens through Disney to the Diva, considering the creative choices and the critical reception. This module will equip you with a sophisticated understanding of the academic approaches to culture which will inform and illuminate your work in other disciplines. In particular the module embeds the University Pillars of Resourcefulness & Resilience, Digital Capabilities, Global and Cultural Capabilities. This original module is delivered by staff specialising in diverse forms of popular culture across the university, including from the Department of Music and Media, School of Literature and Languages and GSA.
View full module detailsSemester 2
Compulsory
This module explores how a culturally diverse range of contemporary texts negotiate issues of gender and sexuality. Using a variety of formats (novels, poems, graphic novels, films and even comedy) we will reflect on what writing about gendered experiences and queer desire entails and how these lived and embodied intimacies affect form and determine meaning. The module provides a theoretical underpinning that will enable you to construct links between contemporary texts and relevant trans-inclusive and anti-racist theories about intersectional identities and LGBTQIA2S+* literature and culture. In this module, you will not just read about queer theory, you will hear directly from the theorists: The module provides podcast conversations with several prominent scholars from the field to enrich your reading of secondary literature with a digital research communication tool. You will be able to expand the knowledge of feminism, queer studies, and intersectional thinking that you have built in your first year of studies and reflect on how these discourses affect you and your peers in your day-to-day life, while also considering unfamiliar perspectives and cultures.
View full module detailsOptional
This module allows you to explore various modes of storytelling in a contemporary context, with a view to developing your narrative skills. The course will engage with contemporary fiction, poetry, non-fiction, film, and theatre and will help you to to investigate and understand the multiple ways readers and writers engage with storytelling and narrative. There will be lectures on each topic, with workshop-style seminars that are designed to help you engage with and analyse your own writing and the writing of others, with the aim of helping students to hone your ability to edit and create.
View full module detailsThis module draws attention to and interrogates the changing relationship between the 'self' and 'society' in twentieth-century American culture. Approaching this topic from an interdisciplinary perspective, the module examining three interrelated areas that address the major social, political, and aesthetic developments of the 'American Century': 1) urbanisation, commerce and the American city, 2) transnationalism and American identity, and race, nation, and the body in contemporary America. In addition to the primary texts, students will examine relevant examples from film, art, music, and design that help to further illuminate these three thematic strands. In particular, this module focuses on students’ global awareness and understanding, both regarding American literary and culture, as well as the ways in which successive periods of migration and transnational exchange have led to widespread American influence in a range of cultural domains. Through analysis of a range of texts and cultural materials, students will gain deeper insight into the impact and influence of American culture in the twentieth century and beyond to develop global and cultural capabilities.
View full module detailsFollowing on from the brief introductions to Romanticism at Level 4 , this module allows students to explore in more depth and detail the profound literary and cultural innovations that took place in the Romantic period (roughly, 1789-1830), and which continue to shape culture and society today. The module forms part of a set of historically focused pre-1900 ‘period’ modules that focus on specific literary periods as a way of studying literature: students must take at least one of these modules to complement the more contemporary focus of other modules, so as to gain greater knowledge of both the evolution of English literature over time and the variant forms and concerns of literature in different historical periods. Examining a broad range of canonical and non-canonical Romantic texts (and thus highlighting the diversity of authors and styles in the period), the module each week uses a selection of representative writers to explore a key form or theme: for example, Nature, imagination, the self and subjectivity, sentimentalism and feeling, and shifting notions of masculinity and femininity. Famous writers such as Blake, Wordsworth, Keats and Byron are read alongside authors who are less well known today (for example, Charlotte Smith, Anna Letitia Barbauld, Ignatius Sancho and Henry Derozio) to give students a rich, synchronic understanding of the key concerns, debates, alliances and animosities distinctive to this specific period in British literary history. At the same time, students explore the global contexts and connections driving the evolution of English literature and of British culture more broadly in this period, and they also consider the ongoing relevance of Romantic-era concerns and debates to 21st century society (for example, Romantic writers’ diverse reactions to increasing globalization, and the emergence of modern environmental and conservationist thinking).
View full module detailsThis module takes students off campus and into local schools. They work closely with MFL or English Literature teachers, shadowing them or taking small groups of school students, and gaining an insight into the teaching profession. This module complements ELA2012 Introduction to TEFL, by allowing students to see teaching strategies and techniques in the real world. The Module has the backing of the "Undergraduate Ambassadors Scheme" (www.uas.ac.uk).
View full module detailsThis module aims to explore a variety of neo-Victorian texts to examine how the legacy of the Victorians continues to inform contemporary culture. Students will be asked to consider the significance of neo-Victorian writing in the context of postmodernity and will analyse the literary, cultural and commercial impacts of the genre. The module will begin by considering early examples of neo-Victorian texts that emerged in the 1950s and 60s before exploring the expansion of the genre in the twentieth and twenty-first centuries. It will cover a range of neo-Victorian productions including novels, poetry, film and TV adaptations that are informed by well-known Victorian texts in order to examine the wider cultural impact of contemporary engagements with the Victorian period, and will ask students to analyse issues of race, class, gender and sexuality which are interrogated and challenged by neo-Victorian works. The module draws upon and enhances the core knowledge and research skills acquired in second year Victorian Literature focussed modules. As a hybrid creative writing and English literature module, it also makes up part of the creative writing pathway in the degree, connecting to creative writing modules in the 1st, 2nd and final years.
View full module detailsThis module explores the meanings and developments of science fiction throughout the twentieth and twenty-first centuries, as well as focusing on the relationship between this innovative form and the cultural, political, ethical and ecological sustainability issues addressed in the texts. Discussion and analysis will focus not only on what worlds or peoples are imagined in science fiction and why, but also on how such core features of science fiction have been developed, challenged and reconfigured by various political and historical movements and events (such as the cold war, feminism, black civil rights movements, gay liberation, imperial endeavours, global warming and other ecological sustainability narratives, among others). The module will give particular attention to technological developments and their relationship to the human, addressing the ways in which the human is rethought and reimagined through its interaction with technological innovation. Themes that will be addressed may include alternative futurisms, artificial intelligence, body modifications, alien species and/or worlds, dystopian and utopian imaginaries, future technologies, technology and sustainability, technology and identity and struggles for freedom. Science fiction will therefore be engaged with through the lens of contemporary theories (such as postcolonialism, gender studies, ecocriticism and posthumanism), as well as with attention to changing interpretations of the meaning of the genre in its diverse socio-political and global cultural contexts. This module connects to other contemporary literature modules on the programme in your second year and is part of the contemporary literature route that students can choose as a focus of their degree, which includes module in the first and final years of the degree. As a hybrid creative writing and English literature module, it also makes up part of the creative writing pathway in the degree, connecting to creative writing modules in the 1st, 2nd and final years.
View full module detailsThis is a practical introduction to translation from English to French. Students will learn to express some basic concepts and terminology in translation in French and will learn through translating short texts from English to French and writing reflective commentaries on translation issues. Students will gain an understanding of the processes involved in translating from English to French and will develop their ability to analyse and interpret texts and to recognise and resolve translation issues, using appropriate translation resources. Texts will be contemporary and will cover a range of text types, chosen to illustrate a wide variety of translation problems and enhance cultural awareness.
View full module detailsThis is a practical introduction to translation from English to Spanish. Students will learn to express some basic concepts and terminology in translation in Spanish and will learn through translating short texts from English to Spanish and writing reflective commentaries on translation issues. Students will gain an understanding of the processes involved in translating from English to Spanish and will develop their ability to analyse and interpret texts and to recognise and resolve translation issues, using appropriate translation resources. Texts will be contemporary and will cover a range of text types, chosen to illustrate a wide variety of translation problems and enhance cultural awareness.
View full module detailsSociolinguistics explores language as a social phenomenon, examining both how social factors affect language, and what language can tell us about society. This module introduces students to the interaction between language and society. We start by considering the linguist variables that reflect our social identity, before examining how speaker’s responses to external social factors influences the way in which languages are used, lost and standardized. This module is taught in English at FHEQ Level 5. Introduction to Sociolinguistics builds on themes in linguistics introduced at throughout modules taught at Level 4 and provides in-depth preparation for Level 6 modules that focus in detail on the sociolinguistics of specific languages including French and Spanish.
View full module detailsCommunication is a key skill in the information society, from making sense of the world around you to making yourself heard in different settings, including university, work, with friends and family, and in society. This module will introduce students to key concepts in communication as they are relevant to communicating in 21st century society. Accounting for the fact that most of our communication is mediated in some way, the module will give students a strong contextual understanding in mediated communication. This is followed by an interdisciplinary approach to communication in which students will learn about the way we communicate and understand communication in a range of areas, including business, medical settings, science, language, and psychology.
View full module detailsOptional modules for Year 2 - FHEQ Level 5
Students are allowed to take only 15 credits (1 module) from Translation modules per level, subject to them fulfilling the prerequisites.
As part of your optional module selection, you are able to choose up to 15 credits from our range of interdisciplinary modules (subject to availability). For more information please refer to the website (https://www.surrey.ac.uk/personalising-your-degree-university-surrey)
Year 3 - BA (Hons)
Semester 1
Optional
This module is intended to follow on from previous CW modules and help you develop with an advanced engagement with questions of form and craft. It will concentrate on the practicalities of writing creatively within the context of a broad narrative frame. The focus of the module is on prose fiction and on poetry, as well as helping you produce polished and professional quality work in either or both modes. This module also provides knowledge and advice on the processes of getting published, the workings of the publishing industry and invites reflection on the challenges and opportunities of writing professionally.
View full module detailsThis module, which assumes no prior knowledge of languages other than English, is intended to give students an insight into the diversity of human communication systems found throughout the world. In order to understand how language works, we need to examine the variety of systems to be found, some of which differ drastically from what we know and what we might expect. This module builds on the skills students have developed in constructing arguments and finding evidence in support of their reasoning through their modules at Levels 4 and 5, by demonstrating how complimentary skills are applied in scientific research related to language. Students are introduced to alternative ways of thinking about the world around us to further develop their ability to scrutinise and assess evidence.
View full module detailsEnvironmental literature is deeply entwined with queer, decolonial and intersectional perspectives: Place and race, space and class, feminist and LGBTQIA2s+* issues, all meet in the queer ecologies we will explore in this module. We will learn about the (queer) history of writing about the environment, about the role of protest in literature and about how describing the world around us in texts actually changes the shape of the natural and built environment. Building on skills and knowledge you have acquired in previous modules on literary history and on theoretical approaches, the module aims to expand your knowledge of global ecocritical and queer writing and theory and to enable you to critically analyse contemporary depictions of climate change dystopias, of human and non-human animal relationships, of protest poetry, and of queer environmental fiction. We will discuss novels, poetry, performances, Youtube videos, as well as the odd social media account, and always combine our readings with a specific theoretical concept to help you learn how to put knowledge into practice. Since the module will also give you some insight into research communication, you will have the option of creating a research-based podcast as your final assessment. The module will include a workshop on podcasting, which will teach you new digital skills and enable you to develop an independent project, potentially in cooperation with collaborators outside of the seminar room. You will also contribute to a collaborative digital glossary, taking charge of creating a communal knowledge resource with formative feedback from your lecturer and comments and questions from fellow students. This module is part of a global strand embedded in our programme, which will help students develop global sensitivity and appreciation for cultural and linguistic diversity. We will discuss a global and culturally diverse range of primary texts, as well as theory texts, and cover, for example, Indigenous knowledges from different parts of the planet.
View full module detailsThis module introduces students to a range of creative and critical strands and debates related to contemporary Shakespearean performance. These may include global and intercultural Shakespeare, adaptations on stage and screen, applied Shakespeare, gender - and colour-blind Shakespeare, cultural politics and ethics. Drawing on relevant critical debates on how and why Shakespeare is performed today within diverse and multicultural societies, students will be able to engage with case-studies of UK and international productions and artists. The module will pay attention to key terms such as diversity, diaspora, hybridity and inclusivity and enable students to draw on these in informed critical analysis and discussion.
View full module detailsThe Gothic has been a fixture of British and American literary history and popular culture from its origins in the eighteenth century, and continues to capture and haunt the human imagination. Straddling both 'high' and 'low' art forms, appealing to elite as well as mass audiences, the Gothic thrives on blurring boundaries and dissolving traditional dichotomies- between, for example, self and other, human and inhuman, civilisation and savagery, public and private identities This optional level 6 module focuses on Gothic literary and cultural production from Horace Walpole's 1764 seminal Gothic novel The Castle of Otranto up to the stylized Goth aesthetic and obsession with true crime Gothic figures in twenty-first-century cinema and television. Drawing on a variety of literary and visual texts this module demonstrates how Gothic fictions are born out of hyper-tense socio-political and psychological states, symbolising and expressing anxieties about class, ethnicity, nationality, sexuality and gender. Gothic texts are situated in their historical, biographical, geographical and global contexts, offering a nuanced understanding of the proliferation of the genre across periods, disciplines and borders. As well as exploring famous Gothic figures of the vampire and the zombie, we also consider the Gothic as a mode of writing, and as a mode of cultural engagement with the traumas of post/modernity. The module confronts topics including otherness and the limits of the human, monstrous doubling, the horrors of addiction, grotesque transformation, and the ethics and dangers of science. It traces the evolution of the Gothic, covering: Gothic origin; European Gothic; Gothic satire; Romantic and Neo/Victorian Gothic; Female and Feminist Gothic; American and African-American Gothic; and Goth culture. Through studying the texts, debates and themes of the module, and through the assessments, you will develop transferable skills in critical thinking and reading, independent research and groupwork, presentation and communication, digital capabilities and analytical writing.
View full module detailsOften dismissed as disposable entertainment, derided for rehashing formulaic plot devices, popular genre fiction may better be considered literature that tests the generic boundaries within which it operates. This Level 6 Creative Writing module aims to establish the fundamental techniques, strategies, and conventions of popular genres and modes (such as mystery, horror, graphic narrative), as well as ways writers may choose to subvert those conventions, with an eye toward developing original creative projects that engage—in some way—with genre. This module is intended to complement the range of Creative Writing modules offered at level 6, focussing on genre construction and reception across a variety of contexts. One of the keys to becoming a more sophisticated writer is to become a more careful reader. Whether you love or hate, are exhilarated, or bored by a text, you can always learn from it. To that end, we will read and discuss relevant literary and theoretical works in detail, considering both the elements of craft that contribute to the construction of different genres (character, plot, form, structure, and so on), as well as the aesthetic and conceptual frameworks that underpin each text, particularly where writers may subvert genre expectations. And to make use of all our reading, we will learn to articulate responses to set texts through a series of writing exercises in which you are encouraged to experiment—and have fun—with the concepts introduced by the texts we read. Students should also be prepared to contribute fully to workshop discussions of their own and each other’s work. The module will provide students the opportunity to produce, revise and polish their creative writing and will encourage and enable them to reflect on their own creative work and writing practice in a productive and critically informed manner. Attendance is compulsory.
View full module detailsThis module introduces students to the huge variety of medieval and Early Modern romance from the twelfth to the early-seventeenth centuries. The texts will be read either in Middle English or in translation (languages covered will be Latin, French, Middle English, Arabic, Spanish, and Welsh). The module explores the genre with a particular interest in gender and sexuality, instances of transgression, multi-culturalism, and multilingualism. It also investigates the traditional connection of romances with female readership. The module is subdivided into three interconnected areas: stories of knightly chivalry, tales of the supernatural, and reactions to romance. As well as the primary texts, students will study examples of contemporary historical material to help them contextualise both the romances and these three thematic areas. The module will build on students’ understanding of medieval and Early Modern texts and historical contexts developed from modules in the first and second years. Additionally, the module will enable students to further engage their interests in literary history, the development of romance as a genre, and examining literature through key critical and theoretical lenses such as gender theory, queer theory, critical race theory, and ecocriticism. After taking this module, students will have a detailed understanding of the fluid and expansive nature of romance and its changing historical and social contexts. They will also have been afforded the opportunity to develop their critical thinking, research, writing, and communication skills in ways that will benefit them on their chosen career path.
View full module detailsThis innovative, interdisciplinary and university-wide module explores multiple aspects of popular culture in the contemporary world. The module considers how and why some works acquire the status of popular culture and how these works permeate everyday life. Through an overview of contemporary issues and approaches to popular culture in social, literary, filmic, musical and sociological contexts, you will consider the values inherent in some cultural works, and how these transform to reflect societal preoccupations. You will examine case studies from Dickens through Disney to the Diva, considering the creative choices and the critical reception. This module will equip you with a sophisticated understanding of the academic approaches to culture which will inform and illuminate your work in other disciplines. In particular the module embeds the University Pillars of Resourcefulness & Resilience, Digital Capabilities, Global and Cultural Capabilities. This original module is delivered by staff specialising in diverse forms of popular culture across the university, including from the Department of Music and Media, School of Literature and Languages and GSA.
View full module detailsSemester 2
Optional
The module offers students the opportunity to learn about children’s literature across a variety of genres, ages, as well as about its historical development and socio-cultural contexts. The module will require students to engage the critical thinking skills and theoretical knowledge that they have acquired in modules across their first and second years in a new context, enabling them to think deeply about the ways in which children’s literature should be studied with the same rigorous approach that they would apply to texts written for adults. In particular, students will be encouraged to consider how genre, form, gender, race, identity, setting, temporality,. They will also confront their own relationship to texts that they read as children or young adults and consider what components result in effective writing for children which will enable them to engage with complex critical concepts, and develop their own writing both creative and critical. Through participating in group discussions in the lecture-seminars, students will develop a detailed understanding of how to analyse children’s literature and how to write for children. The module will also afford students the opportunity to develop their critical thinking, research, writing, and communication skills in ways that will benefit them on their chosen career path. At the end of the semester students will produce a work of children’s literature alongside a commentary reflecting upon their creative work OR a critical essay that focusses on two works of children’s literature using the theories, concepts and practices studied.
View full module detailsGaming has existed as a mode of play and expression since the earliest times of human existence. In the latter part of the 20th and into the first two decades of the 21st Century (the period we will focus on with this module), there has been a vast expansion of the forms, modes and technologies employed in gaming and game play. Out of wargaming and board gaming practices (and often the interfaces of these) in the post-World War II era, increasingly complex and sophisticated character and narrative focussed Role-Playing Games (RPGs) developed as well as other narrative forms that connect gaming with interactive textuality, such as gamebooks, Collectable Card Games, online interactive fiction, video games and multi-player online gaming platforms. There has been, in the early 21st century, additionally, a large increase in the number of board games being produced and played, while wargaming also remains an active and vibrant aspect of gaming culture. An aspect of gaming that has sometimes fallen short, in ‘quality’ terms, though, is the writing that underpins both the rules systems and the ‘story’ component of games (background, character, description. narrative, dialogue, terminology, etc.) This is perhaps unsurprising as games have been primarily written by gamers rather than professional writers; many of these, of course, go on to develop their writing skills and become accomplished writers in their own right. More and more, though, creative writers are specifically incorporated into the game design and realisation processes (for both analogue and virtual gaming environments) to improve the quality of the gaming experience. In this module students will receive an overview of the gaming field and examine aspects of this that specifically pertain to writing for games. What approaches work well for games and gaming modes? How are these different from writing for and in other forms and media? What writing skills are particularly useful? Do we have the freedom to write outside of limiting industry constraints and models? What are the new forms of writing practice that are emerging in relation to games and gaming? We will also be interested in analysing games and gaming critically as cultural objects, and situating them within the broader context of contemporary cultural and literary theory. This is not a module that will teach students how to code and/or produce and design video games (or, indeed commercial analogue games). We will touch on aspects of game design, game production, gaming studies, critical digital studies, etc., but the focus for this module will be on writing creatively for games: writing gaming. Expert guest speakers from the gaming and independent gaming industries will be included in the teaching provision for this module. If students have specific coding, visual art or musical/sound art skills that they would like to bring to their exercises and assignments, they can certainly draw on these skills, but if they don’t, that is completely fine – none of these are required for this module. In each seminar we will first spend some time discussing the set texts and the techniques and standpoints employed by writers and other artists, before moving on to the workshop part of the session where students will produce work in accordance with the task set for that week, within and outside of the classroom. We will read and discuss a selection of pieces at the end of each class. This process will help students grow in confidence, both in presentational terms and in terms of delivering and receiving feedback on their work, in a safe and supportive setting. In addition, each week there will be a scheduled 2-hour gaming session where students will gather to explore individual and collaborative gaming in practice. Different approaches to gaming will be proposed each week, or students can opt to work during this time on longer gaming experiences and projects. At the end of the semester students will produce a creative portfolio of gaming writing, alongside a critical commentary reflecting on the creative work produced and using theories, concepts and practices studied on the module, OR an academic critical essay examining some aspect of writing for games OR a Game Demo alongside a critical commentary reflecting on the demo produced and using theories, concepts and practices studied on the module. Possible submissions for the creative portfolio include online interactive fiction (e.g. Twine, Squiffy), a gamebook text, a tabletop game text (board game, card game, wargame, Role-Playing Game), a game demo, a game setting, a game system, Game Design Documentation (GDD) for a proposed game, a 'creative essay', gaming portfolio as creative essay, a zine, a website for a game, etc. This module connects to other contemporary literature modules on the programme in the 2nd and final years where the emphasis is on 20th and 21st Century approaches to creating and examining literatures and our cultural responses to them. As such, it is part of the contemporary literature route that students can choose as a focus of their degree. As a hybrid creative writing and English literature module, it also makes up part of the creative writing pathway in the degree, connecting to creative writing modules in the 1st, 2nd and final years.
View full module detailsThis module explores the centrality of texts written by and for medieval women to both the history of medieval literature and to women's literary history. You will be introduced to a range of works written for and about women in England between the 11th and 15th centuries and will examine in detail the major female authors writing from the 12th to the 15th centuries, such as the courtly writer Marie de France, the English woman mystic Julian of Norwich, and the visionary Margery Kempe. Texts will be read either in Middle English or in modernized versions, or (in the case of texts written in the French of the English, in translation). The module will explore a range of literary forms and genres, including saints' lives, romance and lais, mystical and visionary writing and women's letters. You will be asked to critically analyse and/or engage creatively with the texts, paying attention to your linguistic, literary, religious and socio- historical contexts and focusing on issues such as antifeminism, social hierarchies, literacy, multingualism and multi-culturalism, and gender and sexuality. The module provides you with a working knowledge of tools on used by researchers and writers examining and engaging with historically remote literatures and cultures, building on previous modules on global literatures and theories of gender and sexuality. These tools include not only the ability to analyse and critically evaluate texts and ideas, but also to understand them within their wider historical, geographical and social contexts, as well as practical tools of reading and translating Middle English texts.
View full module detailsThis module explores the relationship between national and imperial identities in literature from the 1850s to 1890s by writers from Britain and beyond, including Charles Dickens, Elizabeth Gaskell, Wilkie Collins, Behramji Malabari and James Africanus Horton. The module introduces students to contextual debates about the nation-state and its imperial engagements, and seeks to understand how authors respond and contribute to these ideas through literature both from within and beyond Britain. The module engages with these themes through a focus on concepts of space and mobility, using literary journeys as a way into understanding how novelists construct a dialogue between national and imperial spaces in literary texts. It draws upon and enhances the core knowledge and research skills acquired in second year Victorian Literature focussed modules. As a hybrid creative writing and English literature module, it also makes up part of the creative writing pathway in the degree, connecting to creative writing modules in the 1st, 2nd and final years.
View full module details"Literature was never only words, never merely immaterial verbal constructions. Literary texts, like us, have bodies, an actuality necessitating that their materialities and meanings are deeply interwoven into each other"-N. Katherine Hayles, Writing Machines. In this level 6 Creative Writing module, we will, as Hayles argues, consider the materiality of a variety of print-based and digital-born literature with an eye toward developing original creative projects. We will read and discuss relevant literary and theoretical works in detail, considering the medium (and technology, where appropriate) involved in their construction, as well as the aesthetic and conceptual frameworks that underpin each text. And to make use of all of our reading, students will learn to articulate responses to set texts through a series of writing exercises in which they are encouraged to experiment-to get their hands dirty, to play, to have fun-with the concepts introduced by the texts we read. Students should also be prepared to contribute fully to workshop discussions of their own and each other's work. The module will provide students the opportunity to produce, revise and polish their creative writing and will encourage and enable them to reflect on their own creative work and writing practice in a productive and critically-informed manner. Attendance is compulsory.
View full module detailsThe module offers students the opportunity to learn the processes for writing a compelling script for film or television. Through analysing film clips, reading extracts from screenplays, engaging with theoretical concepts, and participating in class discussions and workshops students will be offered a comprehensive overview of the screenwriting process. The module builds upon the knowledge and skills from students’ BA studies in English Literature and Creative Writing at Level 4. It develops critical and creative skills for modules including the dissertation and aligns with other critical and creative modes in other at Level 6. The two-hour workshops address the needs of in-depth writing and analysis at level 6. At the end of the semester students will produce a professionally formatted script for a short film or television episode alongside a commentary reflecting upon their creative work and/or a critical essay that focusses on films/ TV episodes of their own choice using theories, concepts and practices studied on the module.
View full module detailsThe module asks students what it means to write a life. We consider the function of auto/biography and the ways in which its writers from different global and cultural settings have reflected on the possibilities of truth-telling, the significance of subjectivity and the distillation of narrative from the everyday. It explores writing that bears witness to war and injustice, that blurs the lines between fact and fiction, and re-makes the self through bold experimentation with language. The module examines a variety of forms and modes that Life Writing might take - biography, autobiography, diaries, poetry, journals and others – and gives students the opportunity to create and/or analyse these forms in their assessment.
View full module detailsSemester 1 & 2
Compulsory
The dissertation module is intended to provide students with an opportunity to select a research topic relating to an aspect of literary study which has engaged their own particular interest, and to explore it in detail through guided self-study. Each student will be assigned a tutor who will assist them in choosing their subject matter and literary approach, and who will provide advice, encouragement and formative feedback over the course of the writing process, as well as suggesting relevant reading material which may help inspire or critically locate the project. As well as the dissertation itself students will undertake a formative presentation in semester 1, and work on developing self-reflective skills through completing a progress log with their supervisors. This module connects to other modules on the programme undertaken by the students and can act as a culmination of their studies, in that the students can bring together and build from strands from earlier modules that they have particularly liked and excelled at, or act as a complement to other modules that the student has enjoyed but where they wish to use this dissertation module as an opportunity to explore and develop a different area that they wish to write on. As such, this module can connect with any of the modules students have studied across their degree, and allows them to tailor their pathway through the degree, and the degree itself, in their own way.
View full module detailsThis module provides students with the opportunity to explore the challenges of producing a large scale portfolio of creative writing accompanied by self-reflective critical commentary. This Dissertation portfolio may consist of a single extended piece of writing or a collection of pieces of a shorter length. An agreed word count for students submitting poetry should be negotiated with their supervisor, although as a rule 5,000 words of creative prose is considered equivalent to 150 lines of poetry. Each student will be assigned a supervisor who will assist them in choosing their subject matter and literary approach, and who will provide advice, encouragement and formative feedback over the course of the writing process, as well as suggesting relevant reading material which may help inspire or critically locate the project. This module also allows students to reflect at length on the project’s rigourous relationship to previous work in the field, form or genre, on the writing processes and thinking behind the creative choices made, and to locate the work productively in literary and theoretical contexts. As well as the dissertation itself students will undertake a formative presentation in semester 1, and work on developing self-reflective skills through completing a progress log with their supervisors. This module connects to other modules on the programme undertaken by the students and can act as a culmination of their studies, in that the students can bring together and build from strands from earlier modules that they have particularly liked and excelled at, or act as a complement to other modules that the student has enjoyed but where they wish to use this dissertation module as an opportunity to explore and develop a different area that they wish to write on. As such, this module can connect with any of the modules students have studied across their degree, and allows them to tailor their pathway through the degree, and the degree itself, in their own way.
View full module detailsOptional modules for Year 3 - FHEQ Level 6
Students choose 5 optional modules, 2 in one semester and 3 in the other.
In addition Students choose either ELI3033 or ELI3034 (45 credits).
As part of your optional module selection, you are able to choose up to 15 credits from our range of interdisciplinary modules (subject to availability). For more information please refer to the website (https://www.surrey.ac.uk/personalising-your-degree-university-surrey)
Year 1 - BA (Hons) with placement
Semester 1
Compulsory
This module introduces students to key theoretical debates and critical methodologies relating to literature and literary studies. It extends the student's knowledge of the different approaches we can take to literary studies, the various questions we can ask of literature, and the diverse forms of knowledge and insight that the study of literature can yield. Simultaneously, it allows students to identify the approaches and concerns in which they have been previously (and often unwittingly) been trained and those which most interest them going forward; it then helps them develop and enhance their understanding and application of their preferred methodologies. The module is in this way both complementary and foundational to all the other modules students will take in both their first year and in subsequent years: it gives them a vital tool-kit they will deploy on all modules. Topics and methodologies to be explored include questions of form and the close reading of literary texts; the political and ideological implications of literary texts; the interrelationships between texts, genres and culture more generally; the relationship between texts and their various historical contexts; and the evolution of the academic discipline of English Literature from the early 20th to the early 21st century. Students are trained not only to understand some of the most influential literary theories and methodologies, but also to appraise, compare and critique these different approaches. They will also undertake their own theoretically-informed critical analyses of literary texts, thereby also developing their ability to apply different methodologies and theoretical approaches. The module's themes and focus are then extended by the semester 2 companion module ELI1011 Theories of Reading II, which continues the survey of key literary theories. Both these modules form a foundation for levels 5 and 6 where the theoretical knowledge and application skills will be further reinforced.
View full module detailsThis module introduces students to different periods in literary history from the medieval period to the late Eighteenth Century through the examination of a variety of texts. Students will study texts in English from the medieval period, the Early Modern period, the Restoration, and the neo-Classical period. Throughout the module students will learn to interpret literature by focusing on aspects of its historical including social, environmental, global and cultural context, and to consider the interplay between historical background and texts. How does historical change and how do specific historical events impact on the production and reception of literature? What distinguishes imaginative literature from other textual historical documents? Students will also be encouraged to reflect on the academic practice of dividing history into key 'moments': the 'politics' of periodization, in other words. At what point does one period end and another begin? Why have literary critics chosen to mark the parameters of certain literary-historical periods as they have? While the focus is on English literature, the module will remain sensitive to the interplay between English literary traditions and those in other countries and the increasingly multicultural dimension of English literary history. Lectures will introduce students to key features of the literary period in question, to theoretical concepts which have proved useful in historicist approaches to literary criticism, and provide readings of set literary texts from a historical perspective. Seminars will enable students to discuss issues raised in the lectures and secondary reading as well as their own interpretations of the set texts in ways that will develop their critical thinking, research, and communication skills. By enabling students to gain the critical skills and knowledge required to study literature historically this module will provide a foundation for their further study of historical literary periods in semester 2 of their first year and for their study of literature in their second and final years.
View full module detailsThis module is designed to introduce students to the academic study of the novel. Over the course of the module students will learn to read narrative fiction closely and critically, and to consider the relations between prose texts and the political, cultural, and intellectual contexts in which they are written and read. Focusing on novels in English from a range of historical periods and national contexts, the module examines fundamental aspects of the novel such as formal structure, characterisation, narrative, and voice, and important novelistic genres such as realism and the Gothic. It also considers the novel form’s representation of key issues such as subjectivity, gender, race, and politics. By enabling students to acquire the knowledge and critical skills needed to study and analyse novels, this module will provide a foundation for the study of prose fiction at degree level. This module connects to other period specific modules throughout the degree at levels 5 and 6. As a hybrid creative writing and English literature module, it also makes up part of the creative writing pathway in the degree, connecting to creative writing modules in the first, second and final years
View full module detailsThis module is designed to introduce the academic study of drama and film. By studying three modern British plays and their adaptations to the screen you will develop an understanding of how drama and film are distinguished from other printed forms of literature alongside an appreciation of their cultural significance. Students on the module will be encouraged to think about the relationship between texts and their immediate historical and political contexts. You will be trained in the use of technical terms for drama and films, and will be introduced to the visual and audio analysis appropriate to both forms. Students will have the opportunity to develop creative as well as critical responses to the films and plays studied.
View full module detailsSemester 2
Compulsory
This module introduces students to global literatures across geocultural spaces and historical periods through the study and critical analysis of a range of texts written in multiple languages and from both Western and non-Western perspectives. This module is part of a global strand embedded in our programme, which will help students develop global sensitivity and appreciation for cultural and linguistic diversity. The central question that will guide our discussions is how literary texts engage with the idea of the world. You will work collaboratively to develop critical and analytical skills that will enable you to appreciate: (1) how literary texts foster historical awareness and sensitivity to global issues affecting contemporary societies; (2) how literature is deeply shaped by cultural, political, and social forces; (3) how texts actively create narrative worlds that respond to specific symbolic and cultural needs. Building upon the theoretical foundations acquired during the first year, students will reflect on the value and challenges of studying literature today from a global, multilingual and comparative perspective.
View full module detailsThe module builds on ELI1033, continuing to give students the necessary methodologies for undertaking close reading of literary texts and a self-aware understanding of their own subject positions in doing so. It provides wide coverage of different forms of literary theory and sets this alongside discussions of how to carry out critical analyses on literary texts. The module acts as a basis for levels 5 and 6, where the theoretical knowledge and application skills will be reinforced. Together with a rigorous study of a wide range of theoretical traditions, students will also analyse, through collaborative exercises and seminar discussions, short texts and cultural phenomena. In this way, they will develop the critical skills necessary to appreciate how theoretical texts can provide us with powerful tools to discuss important social questions that affect contemporary societies.
View full module detailsThis module introduces students to the main periods in literary history from Romanticism to Postmodernism by examining a variety of texts from these periods. Students will study texts in English from the Romantic and Victorian periods and from modernism and postmodernism. Throughout the module students will learn to interpret literature by focusing on aspects of its historical (including social, cultural, environmental, and global) context, and to consider the interplay between historical background and texts. How does historical change and how do specific historical events impact on the production and reception of literature? What distinguishes imaginative literature from other textual historical documents? Students will also be encouraged to reflect on the academic practice of dividing history into key 'moments': the 'politics' of periodization, in other words. At what point does one period end and another begin? Why have literary critics chosen to mark the parameters of certain literary-historical periods as they have? While the focus is on English literature, the module will explore the increasingly multicultural dimension of English literary history in the modern period. Lectures will introduce students to key features of the literary period in question, to theoretical concepts which have proved useful in historicist approaches to literary criticism, and provide readings of set literary texts from a historical perspective. Seminars will enable students to discuss issues raised in the lectures and secondary reading and develop their own interpretations of the set texts. This module enables students to build upon and expand the critical skills and knowledge acquired in semester 1 modules by enhancing students' capabilities in these areas and encouraging a deeper study of literature historically, this module will also provide a foundation for the study of literature across a range of time periods in levels 5 and 6. In particular, the module connects to other period specific modules throughout the degree especially at level 5.
View full module detailsThis module is designed to give students the confidence to read, study, and enjoy poetry. Over the course of the module students will learn to read and think critically and creatively about poems in English from a range of genres, historical periods and sub/cultures, about the formal elements of verse (such as rhyme, lineation, stanza structure, and metre), and about the social, political,global and intellectual contexts that shape poetic writing. The module will introduce and examine the technical features of poetry as a form, and offer an in-depth consideration of some of the most important poetic genres: epic, lyric, dramatic, and free verse. In the final week of the module, a lecture given by one of Surrey University’s professional poets will introduce students to the most recent trends in contemporary poetry. By enabling students to acquire the knowledge and critical skills needed to appreciate and analyse poems, this module will provide a foundation for the study of poetry at degree level. Peer-led discussion of debates around poetry, and workshopping and portfolio-building in seminars, fosters resilience and confidence (in analytical and/or creative writing; sharing ideas and written work in class) whilst developing transferable writing, communication and presentation skills suitable for a range of careers. This module connects to other first year modules in both the English literature and creative writing streams to ground students in the basics of their discipline, setting the scene for more in depth knowledge and practice development in modules throughout the degree. As a hybrid creative writing and English literature module, it also makes up part of the creative writing pathway in the degree, connecting to creative writing modules in the first, second and final years.
View full module detailsYear 2 - BA (Hons) with placement
Semester 1
Compulsory
By focusing on a wide range of postcolonial fictions, this module explores what it means to write in a postcolonial context and allows students to reflect on the legacies of colonialism today. Student will discuss how colonialism and postcoloniality affect both content and fictional form, and will be encouraged to use the solid theoretical foundations built during the first year in the programme to critically analyse postcolonial fictions and cultures. The skills in interpretive analysis and research they will acquire in this module will be fundamental in preparing them for the dissertation project at the conclusion of their learning journey. Students will be able to explore a wide range of artistic forms¿prose, poetry, drama, and film and will develop crucial skills in critical analysis, connective thinking, and digital competency during our seminar discussions and in online activities. This module is part of a global strand embedded in our programme. In addressing prominent global issues such as colonialism, migration, diaspora, racial, gender, and class inequalities this module offers students tools to understand how and why literature can be a powerful instrument of critique and analysis of a persistently unequal world. The module further provides a theoretical underpinning that will enable students to draw connections between contemporary fictions and postcolonial and decolonial theories.
View full module detailsOptional
Building on the introduction to modernism covered in the first-year core modules, this module explores a period in literature that was to bring innovation across the spectrum of cultural endeavour. Through a range of exciting and innovative works of literature from around the world, you will be introduced to the key ideas underlying the theories and practises of modernist writers in the period between 1900 and 1945. By exploring the concept of multiple global modernisms, the module builds global and cultural skills that will enable you to critically engage with the key themes central to modernist thought. As well as acquiring in-depth knowledge of the individual texts on the module, you will be able to develop a sense of how movements in modernist literature relate both to each other and to other disciplines such as philosophy, economics, politics, and art. Through the independent research undertaken for assessment and a particular focus on the skills required for advanced secondary source research, this module will also develop resourcefulness and digital skills.
View full module detailsThis module explores the varied formal and technical challenges facing creative writers, examining the affordances and constraints of different modes of writing and the cultural, historical and theoretical contexts which impact upon how texts (including prose fiction, poetry, screenplays and dramatic scripts) are written and understood, and to translate this understanding into more effective creative practice.
View full module detailsThis module explores a range of literary texts produced in England at the end of the Middle Ages, paying particular attention to issues of language, gender, race, social status, travel, and religion. It explores the relationship between the self and the other, focusing on ideas of perfection and monstrosity, and the divine and the demonic. The module explores three interrelated themes that speak to the historical, social, and religious contexts of late Medieval English literature: 1) Monstrous Masculinities and Femininities 2) Travellers’ Tales: Encountering the Other and 3) Visions of Another Order. Alongside analysing examples the literature of the period, you will practice translating passages from late medieval literary texts in the workshops. In addition to the set primary texts, you will examine relevant examples from historical texts and visual that help to further illuminate these three thematic strands.
View full module detailsThis is a module for Level 5 students in the School of Literature and Languages. It is taught over one semester, with three contact hours per teaching week.The module considers a range of approaches to teaching English as a Foreign Language, approaches which can be applied to the teaching of other languages. It provides practice and assessment in lesson planning and in teaching through peer teaching tasks. The skills developed on the module such as speaking in front of groups and decision making are transferable to a number of other careers. The module is capped at 14 students in each semester.
View full module detailsThis module gives students a broad and deep understanding of nineteenth-century literature in relation to a range of social, cultural and political contexts. Following a roughly chronological trajectory the module picks up key issues (industrialisation, the impacts of empire, faith and doubt) and examines them through key texts and authors of the period. The module pushes students to think in nuanced ways about the relationship between text and context and about the cultural forces which have promoted or marginalised historical voices.
View full module detailsThis is a practical introduction to translation from French to English. Students will be introduced to some basic concepts and terminology in translation and will learn through translating short texts from French to English and writing reflective commentaries on translation issues. Students will gain an understanding of the processes involved in translating from French to English and will develop their ability to analyse and interpret texts and to recognise and resolve translation issues, using appropriate translation resources. Texts will be contemporary and will cover a range of text types, chosen to illustrate a wide variety of translation problems as well as to introduce aspects of Francophone cultures.
View full module detailsThis is a practical introduction to translation from German to English. Students will be introduced to some basic concepts and terminology in translation and will learn through translating short texts from German to English and writing reflective commentaries on translation issues. Students will gain an understanding of the processes involved in translating from German to English and will develop their ability to analyse and interpret texts and to recognise and resolve translation issues, using appropriate translation resources. Texts will be contemporary and will cover a range of text types, chosen to illustrate a wide variety of translation problems as well as to introduce aspects of German-speaking cultures.
View full module detailsThis is a practical introduction to translation from Spanish to English. Students will be introduced to some basic concepts and terminology in translation and will learn through translating short texts from Spanish to English and writing reflective commentaries on translation issues. Students will gain an understanding of the processes involved in translating from Spanish to English and will develop their ability to analyse and interpret texts and to recognise and resolve translation issues, using appropriate translation resources. Texts will be contemporary and will cover a range of text types, chosen to illustrate a wide variety of translation problems as well as to introduce aspects of Spanish-speaking cultures.
View full module detailsThis module explores elements of poetic craft, discourse, and techniques for writing poetry through the close analysis of lyric, narrative, dramatic, and hybrid modes in contemporary poetry written for the page and / or performance and exhibition. The module introduces students to contemporary and innovative discussions including topics such as formal and free poetic structures, sound effect and rhythm, poetic voice and persona, writing communities, poetic intent and play. The module asks students to engage with the development of their own writing alongside of reading and listening to contemporary poetry, essays, and manifestos by chosen 'companion poets' they will encounter in the module.
View full module detailsThis interdisciplinary module, focused on Victorian creative partnerships, explores connections between texts, individuals, couples, circles and movements. It investigates the ways in which female and male figures worked in various forms of partnership: as spouses, siblings, friends and lovers. It examines a range of Victorian texts including poems, short stories, plays, novels and novellas, letters and diaries as well as visual texts. It engages with the themes of gender, sexuality, identity, power, partnership, co/authorship and readership. The module introduces students to contextual debates about sexual politics, gender and representation in the nineteenth-century, and seeks to understand how writers responded and contributed to them. It also reads nineteenth-century figures and texts in relation to more recent feminist and gender theory, revealing their continued cultural importance. Authors studied include: tthe Brownings, the Brontës, George Eliot and George Henry Lewes, Arthur Hugh Clough and Matthew Arnold, Charles Dickens and Wilkie Collins, the Rossettis, and Michael Field.
View full module detailsThis innovative, interdisciplinary and university-wide module explores multiple aspects of popular culture in the contemporary world. The module considers how and why some works acquire the status of popular culture and how these works permeate everyday life. Through an overview of contemporary issues and approaches to popular culture in social, literary, filmic, musical and sociological contexts, you will consider the values inherent in some cultural works, and how these transform to reflect societal preoccupations. You will examine case studies from Dickens through Disney to the Diva, considering the creative choices and the critical reception. This module will equip you with a sophisticated understanding of the academic approaches to culture which will inform and illuminate your work in other disciplines. In particular the module embeds the University Pillars of Resourcefulness & Resilience, Digital Capabilities, Global and Cultural Capabilities. This original module is delivered by staff specialising in diverse forms of popular culture across the university, including from the Department of Music and Media, School of Literature and Languages and GSA.
View full module detailsSemester 2
Compulsory
This module explores how a culturally diverse range of contemporary texts negotiate issues of gender and sexuality. Using a variety of formats (novels, poems, graphic novels, films and even comedy) we will reflect on what writing about gendered experiences and queer desire entails and how these lived and embodied intimacies affect form and determine meaning. The module provides a theoretical underpinning that will enable you to construct links between contemporary texts and relevant trans-inclusive and anti-racist theories about intersectional identities and LGBTQIA2S+* literature and culture. In this module, you will not just read about queer theory, you will hear directly from the theorists: The module provides podcast conversations with several prominent scholars from the field to enrich your reading of secondary literature with a digital research communication tool. You will be able to expand the knowledge of feminism, queer studies, and intersectional thinking that you have built in your first year of studies and reflect on how these discourses affect you and your peers in your day-to-day life, while also considering unfamiliar perspectives and cultures.
View full module detailsOptional
This module allows you to explore various modes of storytelling in a contemporary context, with a view to developing your narrative skills. The course will engage with contemporary fiction, poetry, non-fiction, film, and theatre and will help you to to investigate and understand the multiple ways readers and writers engage with storytelling and narrative. There will be lectures on each topic, with workshop-style seminars that are designed to help you engage with and analyse your own writing and the writing of others, with the aim of helping students to hone your ability to edit and create.
View full module detailsThis module draws attention to and interrogates the changing relationship between the 'self' and 'society' in twentieth-century American culture. Approaching this topic from an interdisciplinary perspective, the module examining three interrelated areas that address the major social, political, and aesthetic developments of the 'American Century': 1) urbanisation, commerce and the American city, 2) transnationalism and American identity, and race, nation, and the body in contemporary America. In addition to the primary texts, students will examine relevant examples from film, art, music, and design that help to further illuminate these three thematic strands. In particular, this module focuses on students’ global awareness and understanding, both regarding American literary and culture, as well as the ways in which successive periods of migration and transnational exchange have led to widespread American influence in a range of cultural domains. Through analysis of a range of texts and cultural materials, students will gain deeper insight into the impact and influence of American culture in the twentieth century and beyond to develop global and cultural capabilities.
View full module detailsFollowing on from the brief introductions to Romanticism at Level 4 , this module allows students to explore in more depth and detail the profound literary and cultural innovations that took place in the Romantic period (roughly, 1789-1830), and which continue to shape culture and society today. The module forms part of a set of historically focused pre-1900 ‘period’ modules that focus on specific literary periods as a way of studying literature: students must take at least one of these modules to complement the more contemporary focus of other modules, so as to gain greater knowledge of both the evolution of English literature over time and the variant forms and concerns of literature in different historical periods. Examining a broad range of canonical and non-canonical Romantic texts (and thus highlighting the diversity of authors and styles in the period), the module each week uses a selection of representative writers to explore a key form or theme: for example, Nature, imagination, the self and subjectivity, sentimentalism and feeling, and shifting notions of masculinity and femininity. Famous writers such as Blake, Wordsworth, Keats and Byron are read alongside authors who are less well known today (for example, Charlotte Smith, Anna Letitia Barbauld, Ignatius Sancho and Henry Derozio) to give students a rich, synchronic understanding of the key concerns, debates, alliances and animosities distinctive to this specific period in British literary history. At the same time, students explore the global contexts and connections driving the evolution of English literature and of British culture more broadly in this period, and they also consider the ongoing relevance of Romantic-era concerns and debates to 21st century society (for example, Romantic writers’ diverse reactions to increasing globalization, and the emergence of modern environmental and conservationist thinking).
View full module detailsThis module takes students off campus and into local schools. They work closely with MFL or English Literature teachers, shadowing them or taking small groups of school students, and gaining an insight into the teaching profession. This module complements ELA2012 Introduction to TEFL, by allowing students to see teaching strategies and techniques in the real world. The Module has the backing of the "Undergraduate Ambassadors Scheme" (www.uas.ac.uk).
View full module detailsThis module aims to explore a variety of neo-Victorian texts to examine how the legacy of the Victorians continues to inform contemporary culture. Students will be asked to consider the significance of neo-Victorian writing in the context of postmodernity and will analyse the literary, cultural and commercial impacts of the genre. The module will begin by considering early examples of neo-Victorian texts that emerged in the 1950s and 60s before exploring the expansion of the genre in the twentieth and twenty-first centuries. It will cover a range of neo-Victorian productions including novels, poetry, film and TV adaptations that are informed by well-known Victorian texts in order to examine the wider cultural impact of contemporary engagements with the Victorian period, and will ask students to analyse issues of race, class, gender and sexuality which are interrogated and challenged by neo-Victorian works. The module draws upon and enhances the core knowledge and research skills acquired in second year Victorian Literature focussed modules. As a hybrid creative writing and English literature module, it also makes up part of the creative writing pathway in the degree, connecting to creative writing modules in the 1st, 2nd and final years.
View full module detailsThis module explores the meanings and developments of science fiction throughout the twentieth and twenty-first centuries, as well as focusing on the relationship between this innovative form and the cultural, political, ethical and ecological sustainability issues addressed in the texts. Discussion and analysis will focus not only on what worlds or peoples are imagined in science fiction and why, but also on how such core features of science fiction have been developed, challenged and reconfigured by various political and historical movements and events (such as the cold war, feminism, black civil rights movements, gay liberation, imperial endeavours, global warming and other ecological sustainability narratives, among others). The module will give particular attention to technological developments and their relationship to the human, addressing the ways in which the human is rethought and reimagined through its interaction with technological innovation. Themes that will be addressed may include alternative futurisms, artificial intelligence, body modifications, alien species and/or worlds, dystopian and utopian imaginaries, future technologies, technology and sustainability, technology and identity and struggles for freedom. Science fiction will therefore be engaged with through the lens of contemporary theories (such as postcolonialism, gender studies, ecocriticism and posthumanism), as well as with attention to changing interpretations of the meaning of the genre in its diverse socio-political and global cultural contexts. This module connects to other contemporary literature modules on the programme in your second year and is part of the contemporary literature route that students can choose as a focus of their degree, which includes module in the first and final years of the degree. As a hybrid creative writing and English literature module, it also makes up part of the creative writing pathway in the degree, connecting to creative writing modules in the 1st, 2nd and final years.
View full module detailsThis is a practical introduction to translation from English to French. Students will learn to express some basic concepts and terminology in translation in French and will learn through translating short texts from English to French and writing reflective commentaries on translation issues. Students will gain an understanding of the processes involved in translating from English to French and will develop their ability to analyse and interpret texts and to recognise and resolve translation issues, using appropriate translation resources. Texts will be contemporary and will cover a range of text types, chosen to illustrate a wide variety of translation problems and enhance cultural awareness.
View full module detailsThis is a practical introduction to translation from English to Spanish. Students will learn to express some basic concepts and terminology in translation in Spanish and will learn through translating short texts from English to Spanish and writing reflective commentaries on translation issues. Students will gain an understanding of the processes involved in translating from English to Spanish and will develop their ability to analyse and interpret texts and to recognise and resolve translation issues, using appropriate translation resources. Texts will be contemporary and will cover a range of text types, chosen to illustrate a wide variety of translation problems and enhance cultural awareness.
View full module detailsSociolinguistics explores language as a social phenomenon, examining both how social factors affect language, and what language can tell us about society. This module introduces students to the interaction between language and society. We start by considering the linguist variables that reflect our social identity, before examining how speaker’s responses to external social factors influences the way in which languages are used, lost and standardized. This module is taught in English at FHEQ Level 5. Introduction to Sociolinguistics builds on themes in linguistics introduced at throughout modules taught at Level 4 and provides in-depth preparation for Level 6 modules that focus in detail on the sociolinguistics of specific languages including French and Spanish.
View full module detailsCommunication is a key skill in the information society, from making sense of the world around you to making yourself heard in different settings, including university, work, with friends and family, and in society. This module will introduce students to key concepts in communication as they are relevant to communicating in 21st century society. Accounting for the fact that most of our communication is mediated in some way, the module will give students a strong contextual understanding in mediated communication. This is followed by an interdisciplinary approach to communication in which students will learn about the way we communicate and understand communication in a range of areas, including business, medical settings, science, language, and psychology.
View full module detailsOptional modules for Year 2 (with PTY) - FHEQ Level 5
Students are allowed to take only 15 credits (1 module) from Translation modules per level, subject to them fulfilling the prerequisites.
As part of your optional module selection, you are able to choose up to 15 credits from our range of interdisciplinary modules (subject to availability). For more information please refer to the website (https://www.surrey.ac.uk/personalising-your-degree-university-surrey)
Year 3 - BA (Hons) with placement
Semester 1
Optional
This module is intended to follow on from previous CW modules and help you develop with an advanced engagement with questions of form and craft. It will concentrate on the practicalities of writing creatively within the context of a broad narrative frame. The focus of the module is on prose fiction and on poetry, as well as helping you produce polished and professional quality work in either or both modes. This module also provides knowledge and advice on the processes of getting published, the workings of the publishing industry and invites reflection on the challenges and opportunities of writing professionally.
View full module detailsThis module, which assumes no prior knowledge of languages other than English, is intended to give students an insight into the diversity of human communication systems found throughout the world. In order to understand how language works, we need to examine the variety of systems to be found, some of which differ drastically from what we know and what we might expect. This module builds on the skills students have developed in constructing arguments and finding evidence in support of their reasoning through their modules at Levels 4 and 5, by demonstrating how complimentary skills are applied in scientific research related to language. Students are introduced to alternative ways of thinking about the world around us to further develop their ability to scrutinise and assess evidence.
View full module detailsEnvironmental literature is deeply entwined with queer, decolonial and intersectional perspectives: Place and race, space and class, feminist and LGBTQIA2s+* issues, all meet in the queer ecologies we will explore in this module. We will learn about the (queer) history of writing about the environment, about the role of protest in literature and about how describing the world around us in texts actually changes the shape of the natural and built environment. Building on skills and knowledge you have acquired in previous modules on literary history and on theoretical approaches, the module aims to expand your knowledge of global ecocritical and queer writing and theory and to enable you to critically analyse contemporary depictions of climate change dystopias, of human and non-human animal relationships, of protest poetry, and of queer environmental fiction. We will discuss novels, poetry, performances, Youtube videos, as well as the odd social media account, and always combine our readings with a specific theoretical concept to help you learn how to put knowledge into practice. Since the module will also give you some insight into research communication, you will have the option of creating a research-based podcast as your final assessment. The module will include a workshop on podcasting, which will teach you new digital skills and enable you to develop an independent project, potentially in cooperation with collaborators outside of the seminar room. You will also contribute to a collaborative digital glossary, taking charge of creating a communal knowledge resource with formative feedback from your lecturer and comments and questions from fellow students. This module is part of a global strand embedded in our programme, which will help students develop global sensitivity and appreciation for cultural and linguistic diversity. We will discuss a global and culturally diverse range of primary texts, as well as theory texts, and cover, for example, Indigenous knowledges from different parts of the planet.
View full module detailsThis module introduces students to a range of creative and critical strands and debates related to contemporary Shakespearean performance. These may include global and intercultural Shakespeare, adaptations on stage and screen, applied Shakespeare, gender - and colour-blind Shakespeare, cultural politics and ethics. Drawing on relevant critical debates on how and why Shakespeare is performed today within diverse and multicultural societies, students will be able to engage with case-studies of UK and international productions and artists. The module will pay attention to key terms such as diversity, diaspora, hybridity and inclusivity and enable students to draw on these in informed critical analysis and discussion.
View full module detailsThe Gothic has been a fixture of British and American literary history and popular culture from its origins in the eighteenth century, and continues to capture and haunt the human imagination. Straddling both 'high' and 'low' art forms, appealing to elite as well as mass audiences, the Gothic thrives on blurring boundaries and dissolving traditional dichotomies- between, for example, self and other, human and inhuman, civilisation and savagery, public and private identities This optional level 6 module focuses on Gothic literary and cultural production from Horace Walpole's 1764 seminal Gothic novel The Castle of Otranto up to the stylized Goth aesthetic and obsession with true crime Gothic figures in twenty-first-century cinema and television. Drawing on a variety of literary and visual texts this module demonstrates how Gothic fictions are born out of hyper-tense socio-political and psychological states, symbolising and expressing anxieties about class, ethnicity, nationality, sexuality and gender. Gothic texts are situated in their historical, biographical, geographical and global contexts, offering a nuanced understanding of the proliferation of the genre across periods, disciplines and borders. As well as exploring famous Gothic figures of the vampire and the zombie, we also consider the Gothic as a mode of writing, and as a mode of cultural engagement with the traumas of post/modernity. The module confronts topics including otherness and the limits of the human, monstrous doubling, the horrors of addiction, grotesque transformation, and the ethics and dangers of science. It traces the evolution of the Gothic, covering: Gothic origin; European Gothic; Gothic satire; Romantic and Neo/Victorian Gothic; Female and Feminist Gothic; American and African-American Gothic; and Goth culture. Through studying the texts, debates and themes of the module, and through the assessments, you will develop transferable skills in critical thinking and reading, independent research and groupwork, presentation and communication, digital capabilities and analytical writing.
View full module detailsOften dismissed as disposable entertainment, derided for rehashing formulaic plot devices, popular genre fiction may better be considered literature that tests the generic boundaries within which it operates. This Level 6 Creative Writing module aims to establish the fundamental techniques, strategies, and conventions of popular genres and modes (such as mystery, horror, graphic narrative), as well as ways writers may choose to subvert those conventions, with an eye toward developing original creative projects that engage—in some way—with genre. This module is intended to complement the range of Creative Writing modules offered at level 6, focussing on genre construction and reception across a variety of contexts. One of the keys to becoming a more sophisticated writer is to become a more careful reader. Whether you love or hate, are exhilarated, or bored by a text, you can always learn from it. To that end, we will read and discuss relevant literary and theoretical works in detail, considering both the elements of craft that contribute to the construction of different genres (character, plot, form, structure, and so on), as well as the aesthetic and conceptual frameworks that underpin each text, particularly where writers may subvert genre expectations. And to make use of all our reading, we will learn to articulate responses to set texts through a series of writing exercises in which you are encouraged to experiment—and have fun—with the concepts introduced by the texts we read. Students should also be prepared to contribute fully to workshop discussions of their own and each other’s work. The module will provide students the opportunity to produce, revise and polish their creative writing and will encourage and enable them to reflect on their own creative work and writing practice in a productive and critically informed manner. Attendance is compulsory.
View full module detailsThis module introduces students to the huge variety of medieval and Early Modern romance from the twelfth to the early-seventeenth centuries. The texts will be read either in Middle English or in translation (languages covered will be Latin, French, Middle English, Arabic, Spanish, and Welsh). The module explores the genre with a particular interest in gender and sexuality, instances of transgression, multi-culturalism, and multilingualism. It also investigates the traditional connection of romances with female readership. The module is subdivided into three interconnected areas: stories of knightly chivalry, tales of the supernatural, and reactions to romance. As well as the primary texts, students will study examples of contemporary historical material to help them contextualise both the romances and these three thematic areas. The module will build on students’ understanding of medieval and Early Modern texts and historical contexts developed from modules in the first and second years. Additionally, the module will enable students to further engage their interests in literary history, the development of romance as a genre, and examining literature through key critical and theoretical lenses such as gender theory, queer theory, critical race theory, and ecocriticism. After taking this module, students will have a detailed understanding of the fluid and expansive nature of romance and its changing historical and social contexts. They will also have been afforded the opportunity to develop their critical thinking, research, writing, and communication skills in ways that will benefit them on their chosen career path.
View full module detailsThis innovative, interdisciplinary and university-wide module explores multiple aspects of popular culture in the contemporary world. The module considers how and why some works acquire the status of popular culture and how these works permeate everyday life. Through an overview of contemporary issues and approaches to popular culture in social, literary, filmic, musical and sociological contexts, you will consider the values inherent in some cultural works, and how these transform to reflect societal preoccupations. You will examine case studies from Dickens through Disney to the Diva, considering the creative choices and the critical reception. This module will equip you with a sophisticated understanding of the academic approaches to culture which will inform and illuminate your work in other disciplines. In particular the module embeds the University Pillars of Resourcefulness & Resilience, Digital Capabilities, Global and Cultural Capabilities. This original module is delivered by staff specialising in diverse forms of popular culture across the university, including from the Department of Music and Media, School of Literature and Languages and GSA.
View full module detailsSemester 2
Optional
The module offers students the opportunity to learn about children’s literature across a variety of genres, ages, as well as about its historical development and socio-cultural contexts. The module will require students to engage the critical thinking skills and theoretical knowledge that they have acquired in modules across their first and second years in a new context, enabling them to think deeply about the ways in which children’s literature should be studied with the same rigorous approach that they would apply to texts written for adults. In particular, students will be encouraged to consider how genre, form, gender, race, identity, setting, temporality,. They will also confront their own relationship to texts that they read as children or young adults and consider what components result in effective writing for children which will enable them to engage with complex critical concepts, and develop their own writing both creative and critical. Through participating in group discussions in the lecture-seminars, students will develop a detailed understanding of how to analyse children’s literature and how to write for children. The module will also afford students the opportunity to develop their critical thinking, research, writing, and communication skills in ways that will benefit them on their chosen career path. At the end of the semester students will produce a work of children’s literature alongside a commentary reflecting upon their creative work OR a critical essay that focusses on two works of children’s literature using the theories, concepts and practices studied.
View full module detailsGaming has existed as a mode of play and expression since the earliest times of human existence. In the latter part of the 20th and into the first two decades of the 21st Century (the period we will focus on with this module), there has been a vast expansion of the forms, modes and technologies employed in gaming and game play. Out of wargaming and board gaming practices (and often the interfaces of these) in the post-World War II era, increasingly complex and sophisticated character and narrative focussed Role-Playing Games (RPGs) developed as well as other narrative forms that connect gaming with interactive textuality, such as gamebooks, Collectable Card Games, online interactive fiction, video games and multi-player online gaming platforms. There has been, in the early 21st century, additionally, a large increase in the number of board games being produced and played, while wargaming also remains an active and vibrant aspect of gaming culture. An aspect of gaming that has sometimes fallen short, in ‘quality’ terms, though, is the writing that underpins both the rules systems and the ‘story’ component of games (background, character, description. narrative, dialogue, terminology, etc.) This is perhaps unsurprising as games have been primarily written by gamers rather than professional writers; many of these, of course, go on to develop their writing skills and become accomplished writers in their own right. More and more, though, creative writers are specifically incorporated into the game design and realisation processes (for both analogue and virtual gaming environments) to improve the quality of the gaming experience. In this module students will receive an overview of the gaming field and examine aspects of this that specifically pertain to writing for games. What approaches work well for games and gaming modes? How are these different from writing for and in other forms and media? What writing skills are particularly useful? Do we have the freedom to write outside of limiting industry constraints and models? What are the new forms of writing practice that are emerging in relation to games and gaming? We will also be interested in analysing games and gaming critically as cultural objects, and situating them within the broader context of contemporary cultural and literary theory. This is not a module that will teach students how to code and/or produce and design video games (or, indeed commercial analogue games). We will touch on aspects of game design, game production, gaming studies, critical digital studies, etc., but the focus for this module will be on writing creatively for games: writing gaming. Expert guest speakers from the gaming and independent gaming industries will be included in the teaching provision for this module. If students have specific coding, visual art or musical/sound art skills that they would like to bring to their exercises and assignments, they can certainly draw on these skills, but if they don’t, that is completely fine – none of these are required for this module. In each seminar we will first spend some time discussing the set texts and the techniques and standpoints employed by writers and other artists, before moving on to the workshop part of the session where students will produce work in accordance with the task set for that week, within and outside of the classroom. We will read and discuss a selection of pieces at the end of each class. This process will help students grow in confidence, both in presentational terms and in terms of delivering and receiving feedback on their work, in a safe and supportive setting. In addition, each week there will be a scheduled 2-hour gaming session where students will gather to explore individual and collaborative gaming in practice. Different approaches to gaming will be proposed each week, or students can opt to work during this time on longer gaming experiences and projects. At the end of the semester students will produce a creative portfolio of gaming writing, alongside a critical commentary reflecting on the creative work produced and using theories, concepts and practices studied on the module, OR an academic critical essay examining some aspect of writing for games OR a Game Demo alongside a critical commentary reflecting on the demo produced and using theories, concepts and practices studied on the module. Possible submissions for the creative portfolio include online interactive fiction (e.g. Twine, Squiffy), a gamebook text, a tabletop game text (board game, card game, wargame, Role-Playing Game), a game demo, a game setting, a game system, Game Design Documentation (GDD) for a proposed game, a 'creative essay', gaming portfolio as creative essay, a zine, a website for a game, etc. This module connects to other contemporary literature modules on the programme in the 2nd and final years where the emphasis is on 20th and 21st Century approaches to creating and examining literatures and our cultural responses to them. As such, it is part of the contemporary literature route that students can choose as a focus of their degree. As a hybrid creative writing and English literature module, it also makes up part of the creative writing pathway in the degree, connecting to creative writing modules in the 1st, 2nd and final years.
View full module detailsThis module explores the centrality of texts written by and for medieval women to both the history of medieval literature and to women's literary history. You will be introduced to a range of works written for and about women in England between the 11th and 15th centuries and will examine in detail the major female authors writing from the 12th to the 15th centuries, such as the courtly writer Marie de France, the English woman mystic Julian of Norwich, and the visionary Margery Kempe. Texts will be read either in Middle English or in modernized versions, or (in the case of texts written in the French of the English, in translation). The module will explore a range of literary forms and genres, including saints' lives, romance and lais, mystical and visionary writing and women's letters. You will be asked to critically analyse and/or engage creatively with the texts, paying attention to your linguistic, literary, religious and socio- historical contexts and focusing on issues such as antifeminism, social hierarchies, literacy, multingualism and multi-culturalism, and gender and sexuality. The module provides you with a working knowledge of tools on used by researchers and writers examining and engaging with historically remote literatures and cultures, building on previous modules on global literatures and theories of gender and sexuality. These tools include not only the ability to analyse and critically evaluate texts and ideas, but also to understand them within their wider historical, geographical and social contexts, as well as practical tools of reading and translating Middle English texts.
View full module detailsThis module explores the relationship between national and imperial identities in literature from the 1850s to 1890s by writers from Britain and beyond, including Charles Dickens, Elizabeth Gaskell, Wilkie Collins, Behramji Malabari and James Africanus Horton. The module introduces students to contextual debates about the nation-state and its imperial engagements, and seeks to understand how authors respond and contribute to these ideas through literature both from within and beyond Britain. The module engages with these themes through a focus on concepts of space and mobility, using literary journeys as a way into understanding how novelists construct a dialogue between national and imperial spaces in literary texts. It draws upon and enhances the core knowledge and research skills acquired in second year Victorian Literature focussed modules. As a hybrid creative writing and English literature module, it also makes up part of the creative writing pathway in the degree, connecting to creative writing modules in the 1st, 2nd and final years.
View full module details"Literature was never only words, never merely immaterial verbal constructions. Literary texts, like us, have bodies, an actuality necessitating that their materialities and meanings are deeply interwoven into each other"-N. Katherine Hayles, Writing Machines. In this level 6 Creative Writing module, we will, as Hayles argues, consider the materiality of a variety of print-based and digital-born literature with an eye toward developing original creative projects. We will read and discuss relevant literary and theoretical works in detail, considering the medium (and technology, where appropriate) involved in their construction, as well as the aesthetic and conceptual frameworks that underpin each text. And to make use of all of our reading, students will learn to articulate responses to set texts through a series of writing exercises in which they are encouraged to experiment-to get their hands dirty, to play, to have fun-with the concepts introduced by the texts we read. Students should also be prepared to contribute fully to workshop discussions of their own and each other's work. The module will provide students the opportunity to produce, revise and polish their creative writing and will encourage and enable them to reflect on their own creative work and writing practice in a productive and critically-informed manner. Attendance is compulsory.
View full module detailsThe module offers students the opportunity to learn the processes for writing a compelling script for film or television. Through analysing film clips, reading extracts from screenplays, engaging with theoretical concepts, and participating in class discussions and workshops students will be offered a comprehensive overview of the screenwriting process. The module builds upon the knowledge and skills from students’ BA studies in English Literature and Creative Writing at Level 4. It develops critical and creative skills for modules including the dissertation and aligns with other critical and creative modes in other at Level 6. The two-hour workshops address the needs of in-depth writing and analysis at level 6. At the end of the semester students will produce a professionally formatted script for a short film or television episode alongside a commentary reflecting upon their creative work and/or a critical essay that focusses on films/ TV episodes of their own choice using theories, concepts and practices studied on the module.
View full module detailsThe module asks students what it means to write a life. We consider the function of auto/biography and the ways in which its writers from different global and cultural settings have reflected on the possibilities of truth-telling, the significance of subjectivity and the distillation of narrative from the everyday. It explores writing that bears witness to war and injustice, that blurs the lines between fact and fiction, and re-makes the self through bold experimentation with language. The module examines a variety of forms and modes that Life Writing might take - biography, autobiography, diaries, poetry, journals and others – and gives students the opportunity to create and/or analyse these forms in their assessment.
View full module detailsSemester 1 & 2
Compulsory
The dissertation module is intended to provide students with an opportunity to select a research topic relating to an aspect of literary study which has engaged their own particular interest, and to explore it in detail through guided self-study. Each student will be assigned a tutor who will assist them in choosing their subject matter and literary approach, and who will provide advice, encouragement and formative feedback over the course of the writing process, as well as suggesting relevant reading material which may help inspire or critically locate the project. As well as the dissertation itself students will undertake a formative presentation in semester 1, and work on developing self-reflective skills through completing a progress log with their supervisors. This module connects to other modules on the programme undertaken by the students and can act as a culmination of their studies, in that the students can bring together and build from strands from earlier modules that they have particularly liked and excelled at, or act as a complement to other modules that the student has enjoyed but where they wish to use this dissertation module as an opportunity to explore and develop a different area that they wish to write on. As such, this module can connect with any of the modules students have studied across their degree, and allows them to tailor their pathway through the degree, and the degree itself, in their own way.
View full module detailsThis module provides students with the opportunity to explore the challenges of producing a large scale portfolio of creative writing accompanied by self-reflective critical commentary. This Dissertation portfolio may consist of a single extended piece of writing or a collection of pieces of a shorter length. An agreed word count for students submitting poetry should be negotiated with their supervisor, although as a rule 5,000 words of creative prose is considered equivalent to 150 lines of poetry. Each student will be assigned a supervisor who will assist them in choosing their subject matter and literary approach, and who will provide advice, encouragement and formative feedback over the course of the writing process, as well as suggesting relevant reading material which may help inspire or critically locate the project. This module also allows students to reflect at length on the project’s rigourous relationship to previous work in the field, form or genre, on the writing processes and thinking behind the creative choices made, and to locate the work productively in literary and theoretical contexts. As well as the dissertation itself students will undertake a formative presentation in semester 1, and work on developing self-reflective skills through completing a progress log with their supervisors. This module connects to other modules on the programme undertaken by the students and can act as a culmination of their studies, in that the students can bring together and build from strands from earlier modules that they have particularly liked and excelled at, or act as a complement to other modules that the student has enjoyed but where they wish to use this dissertation module as an opportunity to explore and develop a different area that they wish to write on. As such, this module can connect with any of the modules students have studied across their degree, and allows them to tailor their pathway through the degree, and the degree itself, in their own way.
View full module detailsOptional modules for Year 3 (with PTY) - FHEQ Level 6
Students choose 5 optional modules, 2 in one semester and 3 in the other.
In addition Students choose either ELI3033 or ELI3034 (45 credits).
As part of your optional module selection, you are able to choose up to 15 credits from our range of interdisciplinary modules (subject to availability). For more information please refer to the website (https://www.surrey.ac.uk/personalising-your-degree-university-surrey)
Year 3 - BA (Hons) with placement
Semester 1 & 2
Core
This module supports students’ development of personal and professional attitudes and abilities appropriate to a Professional Training placement. It supports and facilitates self-reflection and transfer of learning from their Professional Training placement experiences to their final year of study and their future employment. The PTY module is concerned with Personal and Professional Development towards holistic academic and non-academic learning, and is a process that involves self-reflection, documented via the creation of a personal record, planning and monitoring progress towards the achievement of personal objectives. Development and learning may occur before and during the placement, and this is reflected in the assessment model as a progressive process. However, the graded assessment takes place primarily towards the end of the placement. Additionally, the module aims to enable students to evidence and evaluate their placement experiences and transfer that learning to other situations through written and presentation skills.
View full module detailsThis module supports students’ development of personal and professional attitudes and abilities appropriate to a Professional Training placement. It supports and facilitates self-reflection and transfer of learning from their Professional Training placement experiences to their final year of study and their future employment. The PTY module is concerned with Personal and Professional Development towards holistic academic and non-academic learning, and is a process that involves self-reflection, documented via the creation of a personal record, planning and monitoring progress towards the achievement of personal objectives. Development and learning may occur before and during the placement, and this is reflected in the assessment model as a progressive process. However, the graded assessment takes place primarily towards the end of the placement. Additionally, the module aims to enable students to evidence and evaluate their placement experiences and transfer that learning to other situations through written skills.
View full module detailsThis module supports students’ development of personal and professional attitudes and abilities appropriate to a Professional Training placement. It supports and facilitates self-reflection and transfer of learning from their Professional Training placement experiences to their final year of study and their future employment. The PTY module is concerned with Personal and Professional Development towards holistic academic and non-academic learning and is a process that involves self-reflection. Development and learning may occur before and during the placement, and this is reflected in the assessment model as a progressive process. However, the graded assessment takes place primarily towards the end of the placement. Additionally, the module aims to enable students to evidence and evaluate their placement experiences and transfer that learning to other situations through written skills.
View full module detailsOptional modules for Professional Training Year (PTY) -
Students must choose one of the above three modules.
Teaching and learning
Teaching on our English literature courses is both stimulating and encouraging. You will experience a wide range of teaching methods, including lectures, seminars, tutorials and workshops.
Our academics produce internationally excellent research and are skilled and dedicated teachers who convey ideas enthusiastically and accessibly.
In addition to lectures in your first year, you’ll work closely with tutors and fellow students in smaller seminar groups. During your second and third year, you’ll become increasingly independent, working on your dissertation and contributing to student-led sessions in Year 3.
Critical essays and group presentations will give you opportunities to define your thoughts, communicate what you have learned and demonstrate your understanding of literature from a more complete perspective.
All learning is fully supported by the University’s virtual learning environment, and you will gain a range of computing skills throughout the course.
You are also encouraged to supplement classroom work with participation in activities outside the University, such as theatre visits and trips to regional festivals such as the renowned Guildford Book Festival.
- Group work
- Independent study
- Lectures
- Seminars
- Tutorials
- Workshops
Assessment
We assess modules individually and award credits for the successful completion of each one. Assessment takes place through a combination of examination and/or coursework, practical examinations and reports.
Check individual module information to see full details at a module level.
General course information
Contact hours
Contact hours can vary across our modules. Full details of the contact hours for each module are available from the University of Surrey's module catalogue. See the modules section for more information.
Timetable
New students will receive their personalised timetable in Welcome Week. In later semesters, two weeks before the start of semester.
Scheduled teaching can take place on any day of the week (Monday – Friday), with part-time classes normally scheduled on one or two days. Wednesday afternoons tend to be for sports and cultural activities.
View our code of practice for the scheduling of teaching and assessment (PDF) for more information.
Location
Stag Hill is the University's main campus and where the majority of our courses are taught.
We offer careers information, advice and guidance to all students whilst studying with us, which is extended to our alumni for three years after leaving the University.
The survey, Graduate Outcomes 2024, HESA, shows that 90 per cent of our Literature and Languages undergraduate students go on to employment or further study. Our English Literature BA (Hons) course will provide you with a range of valuable skills to prepare you for a variety of careers.
Recent English graduates have secured roles such as:
- Customer Relationship Manager, Eton College
- Journalist (freelance and with specific publications), The Guardian, Mail Online, The Wall Street Journal, VGR (US gaming website)
- Marketing and Public Relations, Marlin PR
- Account Manager, Allianz UK
- Graduate Trainee, Dale Carnegie Training
- Editorial Assistant, The Handbook
- Junior Account Executive, Livewire Public Relations
- Teacher of English, Teach First
- Editor and Marketing Executive, Warner Group Publications
- Commercial Graduate, Coca-Cola
- Copywriter, Tesco MPC.
See the developing careers of some of our alumni.
If you’d like to pursue further study, our courses will provide you with essential knowledge and skills, as well as offering informed support and guidance to assist you in your studies.
Leon Lynn
Student - English Literature with Creative Writing BA (Hons)
"The staff on my course are brilliant. The literature academics and creative writers know their areas so well and are excited to share and build their knowledge with their students."
Matilda Parker
Student - English Literature BA (Hons)
"I enjoy the freedom of Literature that Surrey encourages, allowing me to explore various avenues such as creative writing, broadening my interests and skills."
Learn more about the qualifications we typically accept to study this course at Surrey.
Typical offer
Overall: ABB-BBB.
Required subjects: Grade B at English Language or English Literature.
Please note: A-level General Studies and A-level Critical Thinking are not accepted. Applicants taking an A-level science subject with the Science Practical Endorsement are expected to pass the practical element.
GCSE or equivalent: English Language at Grade 4 (C).
Overall: DDD-DDM.
Required subjects: Please contact the Admissions team to discuss suitability
GCSE or equivalent: English Language at Grade 4 (C).
Overall: 33-32.
Required subjects: English Literature or English Literature HL5/SL6.
Overall: 78-75%.
Required subjects: English Language or English Literature 7.5
Overall: QAA-recognised Access to Higher Education Diploma with 45 Level 3 credits overall including 30 at Distinction and 15 at Merit - 27 at Distinction and 18 credits at Merit
Required subjects: Please contact the Admissions team to discuss suitability
GCSE or equivalent: English Language at Grade 4 (C) (or equivalent).
Overall: AABBB-ABBBB.
Required subjects: English Language or English Literature.
GCSE or equivalent: English Language - Scottish National 5 - C.
Overall: ABB-BBB from a combination of the Advanced Skills Baccalaureate Wales and two A-levels.
Required subjects: A-level English Literature or English Language.
Please note: A-level General Studies and A-level Critical Thinking are not accepted. Applicants taking an A-level science subject with the Science Practical Endorsement are expected to pass the practical element.
GCSE or equivalent: Please check the A-level dropdown for the required GCSE levels.
Applicants taking the Extended Project Qualification (EPQ) will receive our standard A-level offer for this programme, plus an alternate offer of one A-level grade lower, subject to achieving an A grade in the EPQ. The one grade reduction will not apply to any required subjects.
Applicants can only receive one grade reduction from the published grades, an EPQ grade reduction can’t be applied in addition to other grade reductions made through other schemes such as Contextual Admissions or In2Surrey.
English language requirements
IELTS Academic: 6.5 overall with 6.0 in Writing and 5.5 in each other element.
View the other English language qualifications that we accept.
If you do not currently meet the level required for your programme, we offer intensive pre-sessional English language courses, designed to take you to the level of English ability and skill required for your studies here.
International Foundation Year
If you are an international student and you don’t meet the entry requirements for this degree, we offer the International Foundation Year at the Surrey International Study Centre. Upon successful completion, you can progress to this degree course.
Selection process
We normally make offers in terms of grades.
If you are a suitable candidate you will be invited to an offer holder event. During your visit to the University you can find out more about the course and meet staff and students.
Recognition of prior learning
We recognise that many students enter their higher education course with valuable knowledge and skills developed through a range of professional, vocational and community contexts.
If this applies to you, the recognition of prior learning (RPL) process may allow you to join a course without the formal entry requirements or enter your course at a point appropriate to your previous learning and experience.
There are restrictions on RPL for some courses and fees may be payable for certain claims. Please see the code of practice for recognition of prior learning and prior credit: taught programmes (PDF) for further information.
Contextual offers
Did you know eligible students receive support through their application to Surrey, which could include a grade reduction on offer?
Fees
Explore UKCISA’s website for more information if you are unsure whether you are a UK or overseas student. View the list of fees for all undergraduate courses.
Payment schedule
- Students with Tuition Fee Loan: the Student Loans Company pay fees in line with their schedule.
- Students without a Tuition Fee Loan: pay their fees either in full at the beginning of the programme or in two instalments as follows:
- 50% payable 10 days after the invoice date (expected to be early October of each academic year)
- 50% in January of the same academic year.
The exact date(s) will be on invoices. Students on part-time programmes where fees are paid on a modular basis, cannot pay fees by instalment.
- Sponsored students: must provide us with valid sponsorship information that covers the period of study.
Professional training placement fees
If you are studying on a programme which contains a Professional Training placement year there will be a reduced fee for the academic year in which you undertake your placement. This is normally confirmed 12 to 18 months in advance, or once Government policy is determined.
Our award-winning Professional Training placement scheme gives you the chance to spend a year in industry, either in the UK or abroad.
We have thousands of placement providers to choose from, most of which offer pay. So, become one of our many students who have had their lives and career choices transformed.
English Literature placements
Our BA (Hons) English Literature course was the first English course to include a Professional Training component in 2008. Our experience as a leader in professional training will help you make the most of the year.
A Professional Training placement will give you the opportunity to develop valuable transferable skills in analysis, reflection, communication and organisation. It will help to enhance your employability by giving you experience in degree-related professions such as publishing, marketing, the media industries, teaching, creative writing and arts administration.
Some organisations that have participated in this scheme include:
- Brighton and Hove Independent
- British Council
- GE Healthcare
- NBC Universal
- Place2Be
- Toyota (PR and Press Communications)
- UBS Investment Bank.
Applying for placements
Students are generally not placed by the University. But we offer support and guidance throughout the process, with access to a vacancy site of placement opportunities.
Find out more about the application process.
Professional Training placement at Toyota
Discover more about English literature student Alice's placement experience.
Professional Training placement at Toyota
Discover more about English literature student Alice's placement experience.
Study and work abroad
Studying at Surrey opens a world of opportunity. Take advantage of our study and work abroad partnerships, explore the world, and expand your skills for the graduate job market.
The opportunities abroad vary depending on the course, but options include study exchanges, work/research placements, summer programmes, and recent graduate internships. Financial support is available through various grants and bursaries, as well as Student Finance.
Perhaps you would like to volunteer in India or learn about Brazilian business and culture in São Paulo during your summer holidays? With 140+ opportunities in 36+ different countries worldwide, there is something for everyone. Explore your options via our search tool and find out more about our current partner universities and organisations.
Apply for your chosen course online through UCAS, with the following course and institution codes.
About the University of Surrey
Need more information?
Contact our Admissions team or talk to a current University of Surrey student online.
Terms and conditions
When you accept an offer to study at the University of Surrey, you are agreeing to follow our policies and procedures, student regulations, and terms and conditions.
We provide these terms and conditions in two stages:
- First when we make an offer.
- Second when students accept their offer and register to study with us (registration terms and conditions will vary depending on your course and academic year).
View our generic registration terms and conditions (PDF) for the 2023/24 academic year, as a guide on what to expect.
Disclaimer
This online prospectus has been published in advance of the academic year to which it applies.
Whilst we have done everything possible to ensure this information is accurate, some changes may happen between publishing and the start of the course.
It is important to check this website for any updates before you apply for a course with us. Read our full disclaimer.